Stolen Spirits of Haida Gwaii

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.

Can flipping through the channels change your life? For Karen, a former prosecutor living in Chicago, her world changed forever when she accidentally fell in love with telenovelas. Now she has quit her job, and she's moving to Mexico City to write the telenovela she's always wanted to watch.

Cicely Tyson was Emmy-nominated as Outstanding Actress for her portrait of a Chicago schoolteacher whose remarkable achievements with black children labelled "unteachable" were spotlighted in a 1979 "60 Minutes" segment about how she became disillusioned with the traditional school system and decided to work outside of it, transforming her students into young scholars through her unique teaching style.

RESIST; The Unist'oten's Call to the Land is a short documentary that was filmed in the summer of 2013 on unceded Wet'suwet'en territory, 1000 km north of Vancouver in northern BC (western Canada) over the duration of the fourth annual Environmental Action Camp, hosted by the Unist’ot’en (C'ihlts'ehkhyu/Big Frog) Clan. The focus of the film is on the Camp as a year-round resistance to exploitative industry, and what it represents in relation to indigenous sovereignty and the environmental, legal, and social issues surrounding pipeline projects in British Columbia. The film documents one of the most important resistance camps in North America at the time.

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

Newly edited version of Luigi Cozzi's 1997 documentary "Il mondo di Dario Argento 3: Il museo degli orrori di Dario Argento" focusing on the museum-part of the "Profondo Rosso" shop.

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

A documentary essay on coming of age and the power of the unconscious. In the same vein as Sweatlodge Song, this is a message of courage and hope.

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.