रौतू का राज़

This silent film opens with shots of a hand distributing charity from a silver plate to a waiting crowd and tells of the good king of Magadh's fight with his evil ministers. The king is poisoned by his brother, the evil Kalsen and the infant prince Chandrapratab, smuggled out by the loyal sardar Satyapal, grows up in a forest to become the acrobat Hamir (Hamir) in love with his partner, the beautiful Saranga (Pawar, credited as 'Ambu'). Saranga is kidnapped by Kalsen's son Ramanaraj , described as 'the perfect libertine', but Kalsen takes her away from his son and attempts to seduce Saranga with promises of wealth. The fearless Hamir fights dozens of soldiers, in amateurishly staged fights, trying to liberate her. In the end Saranga, rejected by her lover for having been tempted by Kalsen's promises of wealth, dons a mask and turns into a Zorr-type avenger. Hamir is eventually recognized by the royal tattoo on his shoulder and restored to the throne as well as reunited with Saranga.

A sheriff begins an investigation into the death of a local transsexual after hearing that high ranking politicians may have been involved. Although he is homophobic, his investigation causes him to be rejected by others, forcing him to seek help from the people he once despised.

Mark Kaminsky is kicked out of the FBI for his rough treatment of a suspect. He winds up as the sheriff of a small town in North Carolina. FBI Chief Harry Shannon, whose son has been killed by a mobster named Patrovina, enlists Kaminsky in a personal vendetta with a promise of reinstatement into the FBI if Patrovina is taken down. To accomplish this, he must go undercover and join Patrovina's gang.

After assuming his dead cellmate's identity to get with his girlfriend, an ex-con finds himself the reluctant participant in a casino heist.

A 1986 Bollywood film.

In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.

The film is based on story of folklorist Vijadan Detha. Kishnu got married with immensely beautiful women Kajri. Thakur of the village had bad intentions towards Kajri so he asked his special man Bhoja to get Kajri for him but Kajri was very loyal towards her husband and one day she attacked Thakur in her defence. Rather than praising her, Kishnu warns Kajri to not to behave like this with Thakur ever again and this was the heartbreak for Kajri as she never imagined a husband who will leave her alone to fight with the world. Sad Kajri was trying to convince herself that if her husband will see him with any other man he will definitely react. Here Bhoja fell in love with Kajri and this gave her idea to test her husband by using Bhoja to see her husband's reaction.

Annie Wilson, young widow and mother of three, makes her living foretelling others' futures⁠—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.

When Inspector Yadav (Kulbhushan Kharbanda) shoots down a criminal couple in the line of duty, his heart goes out to their orphaned baby son Krishna. He adopts the child, who grows up with Yadav's own daughter, Gauri (Farha). As they grow up, Krishna (Sunny Deol) and Gauri fall in love - but an obstacle is looming in their path in the form of Yadav's young second wife (Sujata Mehta), who is attracted to the handsome Krishna, and in her jealousy proceeds to do all she can to destroy the young couple's chances of happiness.

CLUB 60 is about Letting Go after spending the required time in grieving for the loss of a loved one. But what is the required time-frame to grieve? And is it right to always stay in a grieving position? What about the people around you, who are also hurting because of your grieving? And does grieving endlessly really help the one who is gone away? Club 60 is also about embracing life, post 60.

Ram reluctantly becomes a brother figure to a young and helpless boy, both undocumented workers. Living in such intense precarity, mutual support might be the only way to survive.