The Infernal Litterio

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

A wife and mom with secret dreams of being a stand-up comic uses a one night stand with a burned-out touring comedian to face the harsh but funny truths of her failing marriage, neglected aspirations, and individual identity.

With a technical education background, Eva (Eva Arnaz) tries to become an entrepreneur by opening a workshop. He was assisted by several friends, and it turned out that soon his efforts were quite advanced. Rudy (Geroge Rudy), one of his customers, is interested in Eva's beauty, who is considered a good-looking woman. Tit for tat, Eva received Rudy's love. Unfortunately the relationship between the two men did not get the blessing of Rudy's parents. Eva, in the eyes of Rudy's parents, was considered too low for her prospective engineer. Because the relationship between Rudy and Eva is getting tighter, finally Rudy's parents bless him too.

Tomboy Zehra helps Omer to get with the girl he is madly in love with after saving him from a suicide attempt but finds herself also falling for him.

One night in Tokyo, Leo, a young boxer, meets his first love, Monica, an imprisoned sex worker. Caught up in a drug-smuggling scheme, they find themselves pursued by a corrupt cop, a yakuza, his nemesis, and a female assassin.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

A dysfunctional family is forced begrudgingly into an instant reunion when they have to move their father's grave due to construction. Hye-yeong receives a letter of notification that her father's grave should be forcibly removed due to modernization projects. Hye-yeong and the sisters are gathered in a long time, but only the brother cannot be reached easily.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.

After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.