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The Thundermans- Undercover - (Jan 18th)
Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
The Kelly Clarkson Show - (Jan 18th)
NFL Icons - (Jan 18th)
Green Eyed Killers - (Jan 18th)
All 4 Adventure - (Jan 18th)
The 11th Hour with Stephanie Ruhle - (Jan 18th)
Casualty - (Jan 18th)
20/20 - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Cold Case Files - (Jan 18th)
Cold Case Files- Murder in the Bayou - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Discreet, dead men never are, they talk, and I'm going to listen. Murder In The Music Hall (AKA Midnight Melody) comes out of that bastion of the B movie special, Republic Pictures. It's directed by John English (many Gene Autry Oaters) and the screenplay is adapted from an original story written by Arnold Phillips & Maria Matray. It's stars Vera Hrubá Ralston (Hoodlum Empire/The Fighting Kentuckian), William Marshall (Belle of the Yukon/Adventures of Captain Fabian), Helen Walker (Nightmare Alley/Brewster's Millions) and Nancy Kelly (Jesse James/Stanley and Livingstone). A smashing little murder mystery musical picture that positively oozes old fashioned values. Tho made in the mid 1940s, this very much feels like a 1930s production, which in all honesty is no bad thing at all. With the dramatic moments involving crime and clues accompanied by loud bursts of music (Walter Scharf), and dialogue such as "what the blue blazes is going on," it has all the necessary ingredients to cater for the classic movie fan. The story is a solid one too. A dastardly stab in the back murder of an ice show producer sees the Rockette type ice dancers of a popular Music Hall show become suspects. As the police start to sniff around, Lila & Don (Ralston & Marshall respectively) do their own amateur sleuthing. With only a glove clue to go on, the need to find a blind man seen in the vicinity of the crime becomes critical. It's here where the film then ups its drama. With one darkened room meeting between our intrepid sleuths and a blind man being memorably noirish. Up till then it had blended snazzy musical ice dance routines with bubbling under the surface intrigue. At first it's an odd mix, one where after the first blast of jauntiness one wonders if it will be possible to accept the upcoming dramatics, but it does work, in a sort of lulling us into a false sense of security type manoeuvre. Besides which, the numbers and choreography are pleasing on the eye, particularly when involving Ralston, a real life figure skater for her home country of Czechoslovakia. And to cap it all off we got some decent red herrings and the final reveal is not at all insulting. The cast are safe and without histrionic ham, with the beautiful Kelly the standout performer. While English knits it all together in a professional manner. An enjoyable multi genre splicer breaking free from its budget restrictions with much success. 7/10
The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.
Musical film that tells the story of a famous singer with an unshakable security and is at the peak of her career, until Gloria Grey appears, a beautiful and talented beginner who will displace her, to burst into her life generates all kinds of conflicts of egos, jealousy and misunderstandings.
Lina, a music hall singer, has fallen in love with Sergei, a Russian prince. Maestro Doria, who gives her voice lessons and who hopes to make her his mistress, takes her to Paris where she becomes the star of the "Folies-Plastiques".
A fake psychic suddenly turns into the real thing when he meets a young beauty. (TCM)
Academy Award-honoree Peter O'Toole stars in this musical classic about a prim English schoolmaster who learns to show his compassion through the help of an outgoing showgirl. O'Toole, who received his fourth Oscar-nomination for this performance, is joined by '60s pop star Petula Clark and fellow Oscar-nominee Michael Redgrave.
A man from the countryside becomes London’s newest music hall sensation, and competes with a rival music hall performer for the audience’s attention.
Tottie True is a gay-90s British music-hall performer who has her sights set on moving from rags to riches, who loses her heart to the pure-and-true blue balloonist, Sid Skinner, but continues her upward search on improving her social status. She finally settles for Lord Landon Digby who has lots of assets and a very-stiff upper lip. She gets a lot of the latter and very little of the former, and decides Sid might have been a better choice.
Night Magic, a musical fantasy, is set on earth but it is also about the heavens. At the centre of it all is Michael, a music hall artist, who finds Judy, an angel that epitomizes the woman of his dreams at the System Theatre where he is about to open his new show. For Michael it is just another show along the road but once inside something happens. The night is full of possibilities- full of love and romance, jealousy and infidelity, music and dance, even good and evil. Most of all it is full of magic.
Doctor Who fan favourite Catherine Tate presents a concert of music, monsters and mayhem featuring soundtracks from the iconic series, a specially shot feature for the Fifteenth Doctor and a host of scary aliens as they thrill a packed audience at London's Royal Albert Hall. In a concert like no other in time and space, the much-loved music, performed by the BBC National Orchestra of Wales, is accompanied by specially edited sequences from the series.
Harriet Green, a beloved and radiant music hall star of the Edwardian era, mysteriously disappears on the eve of her wedding. Years later, she reappears on the stage as young looking and beautiful as ever.
The Mad Morgans are a family song and dance act touring the British Music Halls. Young Davy is the star of the act but should he stay with his family or strike out on his own ? The last comedy to be produced at Ealing Studios.