Diamond Pictures Stars: Anthony Rockwell

A new film compiled from the BFI National Archive's unparalleled holdings of early films of China, features films from 1900-48 filmed across China. The cinematic journey of Around China with a Movie Camera contains many films which may never have been seen in China, or at the very least not for over 70 years. These travelogues, newsreels and home movies were made by a diverse group of British and French filmmakers, some professionals, but mainly enthusiastic amateurs, including intrepid tourists, colonial-era expatriates and Christian missionaries.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

A package film of Halloween-themed cartoons, one of which being Trick or Treat (1952).

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

Even though he's 35, Alex acts more like he's 13, spending his days as the world's oldest video game tester and his evenings developing the next big Xbox game. But when he gets kicked out of his apartment, he's forced to move in with his grandmother.

Eleven sexy music videos you could never see on television complete and uncensored for the first time.

FULL MOON'S BUNKER OF BLOOD opens its rusty doors once more for this fifth and freakiest installment in the series. And when we say freakiest...we mean it. PSYCHO SIDESHOW: DEMON FREAKS takes you deep into a three-ring circus of shock, blasting out a caustic cauldron of clips from such classic Full Moon favorites as LURKING FEAR, DARK ANGEL, SEED PEOPLE, SHRIEKER, THE DEAD HATE THE LIVING and - of course - CASTLE FREAK and frames them with an all new animated narrative. This time, "The Gore Collector" winds his way into a terrifying amusement park from Hell known as the "Karnage Kingdom". And while the crazed carnival coats our characters in bloody horror, our tour guide "Molly" seems to have a method to the madness. What lies beyond this nightmarish wonderland? Tune in to find out.

The heroic Gormiti have been fighting for millennia against the evil Lord Voidus and his fearsome Darkans, to preserve the peace and balance of nature on the Island of Gorm. Aided by the heroic Guardians, their adventures are packed with energy, action and fun!

A nephew sets out to uncover the truth behind his infamous great-uncle - Washington D.C.'s forgotten king of porn.

When a boy becomes a young man, the way he sees the world can change not just his perceptions of those around him, but how others see him. As burgeoning desires come to the surface, there is the choice of either embracing and acting upon them, or burying them. Includes: On the Roof [En la azotea] (2015); The Son [El hijo] (2012); Inside [Dentro] (2013); Tomboy [Même pas mort] (2007); Paradigma (2016).