We Live Here: The Midwest

Paper Dolls follows the lives of transgender migrant workers from the Philippines who work as health care providers for elderly Orthodox Jewish men and perform as drag queens during their spare time. It also delves into the lives of societal outcasts who search for freedom and acceptance.

Featurette on the 2009 horror film Orphan.

A behind-the-scenes look inside the case to overturn California's ban on same-sex marriage. Shot over five years, the film follows the unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court.

Through letters, diaries and personal testimonies, an account of the complexity and variety of experiences of LGBT Italians during the Fascist dictatorship of Benito Mussolini (1922-43); intimate words that contrast with the lyrics of popular songs and the propaganda of the time, obsessed with extolling the myths of virility, femininity and motherhood and constrained by sexual repression.

Director Jeanie Finlay charts a transgender man's path to parenthood after he decides to carry his child himself. The pregnancy prompts an unexpected and profound reckoning with conventions of masculinity, self-definition and biology.

Four precocious preteens perfect their lip-synching and runway walks in anticipation of the biggest drag performance of their lives at Montreal Pride, in this fierce and joyous celebration of acceptance and self-discovery.

This timely exploration of Hollywood and LGBTQ+ identity examines the life of legendary actor Rock Hudson, from his public "ladies' man" persona to his private life as a gay man.

Three intersex individuals overcame shame, secrecy and unauthorized surgery throughout their childhoods to enjoy successful adulthoods, choosing to ignore medical advice to conceal their bodies and coming out as who they truly are.

After the Stonewall riots and at the height of the gay liberation movement in America, an entire generation were busy celebrating their newfound emancipation, unaware of an impending epidemic. A disease that seemed determined to wipe out an entire generation of gay men, was largely ignored by politicians and the mainstream media. Gaetan Dugas was a French-Canadian flight attendant, who offered to help early scientific research into the origins of AIDS. An unfortunate series of events followed and he would be vilified as Patient Zero, the man who gave us AIDS.

Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.