Séparés mais ensemble

A Danish family travels to Brazil to say goodbye to their mother, who passed away six years ago. But things don't quite go according to plan. Can the father and the two adult sisters reach each other and talk about loss, life and death?

A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?

In this modern, coming of age documentary, Naomi, Jojo and Arham grapple with economic divides, gender roles, and family dynamics while competing in the fastest growing high school sport in the country: girl’s wrestling.

Mariana revisits a trunk of letters that Ricardo, her father, sent to Alfa, her mother, in the 90s when he lived in Canada. Now that her father has left the country again, Mariana seeks answers about the evolution of her parents' love through an emotional encounter.

Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.

A brother and sister discuss domestic violence that has occurred by looking back at family photo albums.

A father exits prison and tries to integrate with his two children and girlfriend while living in a halfway house and on parole.