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Chicago Fire - (Feb 27th)
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The Tommy Tiernan Show - (Feb 26th)
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The Last American Vagabond - (Feb 26th)
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Yet again, Petrov's attention to expressive detail is superb in this adaptation of Dostoevsky's story. We meet a man travelling on a train - well his body is, his mind is elsewhere. The dull, monotonic, narration tells us he is dwelling on the futility of his life and on thoughts of a bullet putting him out of his misery. Walking home he meets a young urchin who begs for help. He walks on by, ignoring her pleas, and goes to bed. It's in his dreams that we spend much of the next ten minutes and I found these to fairly biblical at times. Idyllic in nature to start then becoming more corrupt and vile, and his psyche amidst the dream seems to be trying to find where, if at all, his responsibility for this alternative world might lie. When he awakens, he must make a choice. Might it be better to live well in a flawed world - or to succumb to it's flaws and face something far, far worse. For some reason, the depiction of the man's face reminded me of Lenin throughout, the winkles and the earnestness in his eyes. The girl - well she could have been a poster girl for the French (or any other) revolution. A young child devoid of hope, or expectation, or love - and expertly captured here in her rags. The imagery is cold and bleak and it does largely accentuate the horrors of a world all about self. Astonishingly potent to watch.
Stranded on the Moon and thought to be alone, a determined robot finds an eager helper to assist him in repairing a rocket to take him back home to Earth.
Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
Mixes fiction and documentary to tell the story of Marc Helt and his first sexual experience with other men, as a healing ritual after a violent hate crime.
A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
