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A group of geologists discover oil under the fields where Sosana, the aged and anachronistic father, raises his herd with his unhappy wife, her friend and his growing boy with whom he displays a wonderful rapport. The land is invaded by big machinery that feels remarkably alien to the serene and natural aesthetic of the valley. The family all enjoys the pleasures and storytelling capacity a slide projector grants them, but it too feels distinctly out of place in a town with no plumbing.

Christine, a village girl, raped by Jason Uqmadze, a local aristocrat, decides to take her own life but the villagers spot her body in the river and manage to save her. After the suicide fiasco, Christine befriends Sona, her alleged well-wisher in hope to start her life anew. Instead of helping her, as promised, Sona takes Christine to the brothel.

When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.

The director dedicated this lyrical, epic film-confession to the memory of his father who was a doctor. The film’s protagonist, an ambulance doctor, conducts dangerous experiments in search of a vitally important vaccine. His wife believes in his work, though his daughter would not understand him. His son, who is absolutely unlike his father in character, is trying to protect him. But self-denial in the name of science proves too high a price. Just when he is on the verge of discovery, the doctor loses everything he has gathered as a result of his twenty-year-long work. This loss brings him even closer to his son. The shooting of the film continued for seven years (1985-1992), making it a metaphorical culmination of the Soviet cinematography and the Soviet way of life as a whole.

A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…

The film is based on a real story. Climbers found the purse of a military postman killed during World War II, letters sent 30 years later.

Anthim the Iberian - Antimoz Iverieli, a Georgian theologian, scholar, calligrapher, philosopher and one of the greatest ecclesiastic figures of Wallachia, led the printing press of the prince of Wallachia, and was Metropolitan of Bucharest in 1708-1715.

The film describes the spiritual quest of a young hero whose prototype is georgian writer Guram Rcheulishvili.

To revenge brave jay Zakara, evil crown Kvanchala teams with a fox and kidnaps Zakara's bride Ketevan from the wedding. Kvanchala's cruel plan fails as Zakara's friends help him to rescue Ketevan and the fiesta continues.

A tiny parcel shop in Berlin, which sends packages to faraway loved ones, offers the city’s Georgian community a slice of home.

Ireland’s great houses, towers and castles, including Yeats’ Tower House, Bunratty Castle, Butler Castle and Castletown House.