Love's Labour's Lost

Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.

Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love - and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.

Two households, both alike in dignity, in fair Verona, where we lay our scene. Through the modern lens of equality, Romeo and Juliet change on screen.

Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.

Charming full text, modern, location based screen adaptation of William Shakespeare's play Twelfth Night.

Shakespeare wrote this fantastic comedy in 1594. It features Lysander and Hermia, whose love is thwarted by Hermia's father, who wishes to marry her off to Demetrius, himself loved by Helena. In a magical forest, the couple cross paths with Obéron, king of the elves, who is quarreling with his wife and in possession of love potions.

After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.

One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.

Shakespeare's As You Like It is a delightful romantic comedy , lavishly staged by the renowned Stratford Festival. A favorite with audiences throughout the centuries, this fairy tale is a brilliant magical celebration of romance, passion and unity. Pitting young love against the vanity of the court. It is the familiar story of exiled lovers reunited, of woodland meanderings, of mistaken identity and disguise, and of political wrongs set right. As in all of Shakespeare's plays, this is a story rich in mythology which deals with the transformation of souls from evil to good.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.