Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Home Grown - (Mar 10th)
Suits LA - (Mar 10th)
Family Guy - (Mar 10th)
Krapopolis - (Mar 10th)
Grimsburg - (Mar 10th)
The Great North - (Mar 10th)
Grosse Pointe Garden Society - (Mar 10th)
The Equalizer - (Mar 10th)
90 Day Fiance- Pillow Talk - (Mar 10th)
The Baldwins - (Mar 10th)
Signs of a Psychopath - (Mar 10th)
Filthy Fortunes - (Mar 10th)
The Righteous Gemstones - (Mar 10th)
Evil Lives Here - (Mar 10th)
Tracker - (Mar 10th)
Watson - (Mar 10th)
GRAND SUMO Highlights - (Mar 9th)
90 Day Fiance - (Mar 10th)
Naked and Afraid - (Mar 10th)
Home Town Takeover - (Mar 10th)
I’ll come right to the point about this mess – it’s a prime example of unmitigated cinematic nonsense. This preposterous exercise in stream of consciousness filmmaking is not only utterly ridiculous, but positively annoying to sit through. I lost interest very quickly and could not wait for it to end. Writer-directors Ivan Leung, Harrison Xu and Katherine Dudas have come up with one of the most unfocused, amateurish, totally stupid movies I have ever seen, one that plays like a bad, pretentious student film project on steroids. It’s almost as if the filmmakers went out and shot a lot of footage at random and then tried to piece it all together into some kind of allegedly coherent finished product, hoping that it would somehow all make sense (and apparently not really caring if it didn’t). Much of the “story” (if it can even be called that) consists of two longtime stoner buddies (Leung, Xu) engaged in a series of shallow, incomprehensible, disjointed conversations while making a movie about two fictional friends making a movie whose subject is making a movie (and unrealistically attempting to do so all in one weekend). In the process, they spout an endless barrage of completely unrelated ideas on how to proceed, many of which amount to little more than hollow, pseudointellectual observations about a wide range of subjects, filmmaking techniques and narrative elements. What’s more, the film’s attempt at trying to redeem itself by incorporating some “serious” material late in the film absolutely fall flat, given that any credibility that the directors were trying to engender at this point is totally undermined by the unending, senseless twaddle that preceded it. The picture also unsuccessfully tries to incorporate an LGBTQ+ story thread that gets decidedly shortchanged and feels more like an afterthought than a genuine attempt at making some kind of meaningfully relevant social statement. The picture’s only redeeming attribute, in my opinion, is its mercifully short 1:13:00 runtime, which actually often feels much longer than that. It’s truly sad that many well-made movies struggle mightily to find distributors while cinematic hokum like this inexplicably gets the green light. Sadly, the principals involved in this project seem to have deceived themselves into thinking they’ve created an edgy, rip-roaring contemporary comedy in this offering. But what they don’t realize is what they’ve created is a joke.
Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
Flavio, immersed in the sadness of nostalgia and regret, faces his daily loneliness, seeking solace in the solitary ritual of smoking a cigarette. Each puff becomes a journey back in time, an immersion in a parallel dimension that brings to light the moments shared with Alberto. The warmth of those hugs, the echo of shared laughter and the tears that bathed their cheeks become present, as if they had just happened. Every blurry image that surfaces, every fleeting glance that materializes and every whispered word that resonates reveal the fragile nature of human balance and the profound gravity of the choices that shaped their relationship. But in that very smoke lies a strange consolation, a sense of acceptance that begins to germinate in his heart. He accepts the end of the relationship, with all its painful consequences, and launches himself into a new future, leaving behind what has been and opening his arms to the unknown that awaits him.
Julia has just lost her life partner, Barby. Torn between her grief and a world that is crumbling without her, she strives to preserve the restaurant they built together and her bond with their son León. A relationship now threatened by a wilful grandmother and the return of an absent father.
Two young men, Martin and Rudi, both suffering from terminal cancer, get to know each other in a hospital room. They drown their desperation in tequila and decide to take one last trip to the sea. Drunk and still in pajamas they steal the first fancy car they find, a 60's Mercedes convertible. The car happens to belong to a bunch of gangsters, which immediately start to chase it, since it contains more than the pistol Martin finds in the glove box.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques and Enzo are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men. As Enzo persuades a reluctant Jacques to compete against him in a free diving contest - determining who can dive deeper and longer without scuba gear - Jacques meets Johana, a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.
When Martin, a former GDR citizen, is released from jail, he lately becomes confronted with the consequences of the German re-unification.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
