By Fire

Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

A socially awkward veterinary assistant with a lazy eye and obsession with perfection descends into depravity after developing a crush on a boy with perfect hands.

Yoon-hee is so harassed by her husband's obsession and frantic love, that even breathing is painful to her. One day, her sudden suicide attempt is foiled when someone takes her in his arms and saves her. Hyeong-joon is a rough-looking detective. He asks nothing, but maybe he knows that for some people, just being alive is hard enough. Yoon-hee goes looking for Hyeong-joon, and from the moment she sees him, feels that he already loves her deeply. Because she knows it is totally impossible to be free from her prison of marriage, the peace and happiness she feels at Hyeong-joon's side is heartbreaking and frightening. Hyeong-joon, used to his life of loneliness and despair, loves Yoon-hee at first sight, but as he can't do anything for her, just lets her go. The only thing he can do is to offer her and himself some comfort.

Isolated bell-ringer Quasimodo wishes to leave Notre Dame tower against the wishes of Judge Claude Frollo, his stern guardian and Paris' strait-laced Minister of Justice. His first venture to the outside world finds him Esmeralda, a kind-hearted and fearless Romani woman who openly stands up to Frollo's tyranny.

A recently released convict finds himself trapped between his urban criminal past and his new life on probation as the only black man in a conservative white Wisconsin farming town.

This is a story about going after your first love in the early 2000s.

In this short film, a father (Ben Cable) tries to explain his wife's mental illness to his daughter (Sierra Nottingham).

Azam Salameh, a Palestinian theater director, directs an autobiographical play in the mixed Jewish-Arab city of Acre. The play takes place in 1947, during the final days of the British Mandate, and tells a love story between his grandmother, the singer Layla and Dr. Alfasi, the last Jewish citizen who remained in the city of Acre during the War of 1948. The play comes under threat and never sees the stage. This film is the only remaining testimony. —Haifa International Film Festival

Jordan finds herself trapped only with the mysterious instruction from the phone that leads her to shocking revelations as she tries to escape the new reality she finds herself in.

Sofia, a woman in her mid-20s battling depression, stumbles upon a peculiar mask on the roadside and brings it home. Soon, strange things begin to happen. An irresistible urge to put on the mask develops and the lines between what is real and not begin to blur.