Return to Reason: Four Films by Man Ray

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Before World War II, Swedish workers had to deal with low wages, scarce work, and the extensive importation of foreign labor, particularly for the purpose of breaking strikes. This did not make foreigners of any stripe very popular, and those from "guest worker" countries were particularly disliked. In this film, set in 1938, a half-Polish boy goes to Poland in search of his mother, runs into financial and psychological difficulties there, and is sent back to a Swedish mental hospital. In another story, an unfortunate woman suffers a miscarriage and ends up at the asylum where the Polish boy is being kept.

After a wild sex session in a brothel on his 40th birthday, Luis, bitter and haughty, tries unsuccessfully to escape from the blood stain that, without explanation, grows on the sheet over the bulge formed by his lover. Desperation and what he finds under the sheet means that the only option is to jump out the window of the room already full of blood. The blow plunges him into a strange dream in which a particular fairy godmother reminds him of the child that she still carries inside and the need to take care of him. Convinced of the teaching, by blowing out the candles on his birthday cake, Luis wishes to become that child. Beneath the sheets, drenched in blood, he discovers the error of his desire.

Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.

The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.

A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.

A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..

A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.

"Day and Night" is an omnibus release by William Kwok-Wai of 3 short films consisting of 3 Malaysian filmmakers Ho Yuhang, Charlotte Lim and Yeo Joon Han, reflecting their personal feelings about the health of Malaysian society. "TRESPASSED" by Ho Yuhang is about a girl who misses her father slowly becomes entirely possessed by grief. It seems as if an outside force has taken control of her emotions. "BITE" by Charlotte Lim is about a school girl, meticulously observed by a patient camera in a small, yet sensitive story. Perhaps a lesson in life, for it isn't as innocent as it seems and "BEDSIDE MANNERS" by Yeo Joon Han is about a man who lies in bed, paralyzed. He can still see and hear and has to suffer the stupid talk of a bunch of idiots. Satire on all sorts of things in Malaysia.

A film with no protagonist revolving around being trapped inside and going toward the beauty of nature and freedom.