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A little all over the place, granted, but I still felt entertained by 'Throw Momma from the Train'. Danny DeVito stars in what is his theatrical directorial debut. I chose to watch this because of him being in it, as I want to watch more of his stuff, and he is the film's strongest element, I'd say. Billy Crystal is good too, him and DeVito work nicely together throughout. Anne Ramsey's character annoyed me a lot, I can't lie. I'm actually flabbergasted to read that the performance got Ramsey an Oscar nomination - 1987 must've been a slow year for Best Supporting Actress. No hate for Ramsey though, btw - happy for her! I know Momma is supposed to be annoying, but she's way too far along that particular scale for me. The aforementioned is my only complaint, however. It's a good time otherwise, even if I feel like it meanders here and there in setting up each part of the story. It's all worthy of your time, mind.
Though she doesn't really feature enough, Anne Ramsey does steal the show with her scenes as the mother whom henpecked son "Owen" (Danny DeVito) wants to chuck from the train! Meantime, stagnating author "Larry" is shouting as the television whilst his ex-wife "Margaret" (Kate Mulgrew) is doing the chat show circuit with a book he claimed to have written. He would cheerfully see her dead, and that's exactly what happens when his student "Owen" takes advantage of a scenario on a luxury yacht. Thing is, he owns up to "Larry" and demands - à la "Strangers on a Train" (1951) - a quid pro quo. "Larry" isn't keen on becoming a murderer though, but having encountered the harridan mother first-hand and having become a police suspect in the demise of his former wife he might find his options limited! I'm not really a lover of buddy comedy as such. Usually the scenarios are so obviously contrived to get a series of laughs before a dead cert conclusion that you could have written them yourself. This one isn't really very different on that front, but DeVito and Crystal do work well together keeping the story from becoming too formulaic and at times it provides quite a poignant assessment of friendship and marriage. I had forgotten just how big Oprah's hair was in the 1980s!
How does retired cop Joshua Burke (James Earl Jones) get two career criminals, Manny Durrell (Sidney Poitier) and Dave Anderson (Bill Cosby), to follow the straight and narrow? Con them into helping juvenile delinquents turn over a new leaf. But how? Burke has never been able to nail the duo, but he uses what he knows of their seedy past to blackmail them into volunteering.
Mismatched travellers are stranded overnight at a lonely rural railway station. They soon learn of local superstition about a phantom train which is said to travel these parts at dead of night, carrying ghosts from a long-ago train wreck in the area.
The teenage daughter of a Brooklyn beauty-parlor owner blossoms under the influence of her recently-returned show-biz aunt.
A married man suffers from the tyranny and tyranny of his wife's mother and its great influence on her, so he tries in various ways to urge his wife to form her independent personality, and get rid of her mother's influence, which may negatively affect their relationship.
An extremely patient man shares a sleeping car on a overnight express train with a complete hypochondriac. Anxious for his berth mate to reveal any habits which might disturb his delicate sleep, the neurotic man subjects the other to an absurd interrogation.
While watching from her train window, Nikki Collins witnesses a murder in a nearby building. When she alerts the police, they think she has read one too many mystery novels. She then enlists a popular mystery writer to help her solve the crime on her own, but her sleuthing attracts the attentions of suitors and killers.
In an effort to prevent family history from repeating itself, meddlesome mom Daphne Wilder attempts to set up her youngest daughter, Milly, with Mr. Right. Meanwhile, her other daughters try to keep their mom's good intentions under control.
Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.