Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
- (Jan 1st)
The First 48 - (Mar 28th)
The Chase Australia - (Mar 28th)
The One Show - (Mar 28th)
Beyond the Gates - (Mar 28th)
When Life Gives You Tangerines - (Mar 28th)
Farmer Wants a Wife - (Mar 28th)
Teen Mom- The Next Chapter - (Mar 28th)
A Decent Man - (Mar 28th)
Know Where to Hide - Wie niet weg is… - (Mar 28th)
Next Level Chef - (Mar 28th)
When No One Sees Us - (Mar 28th)
The Last Word with Lawrence ODonnell - (Mar 28th)
TNA iMPACT - (Mar 28th)
Doctor Odyssey - (Mar 28th)
Bang Rak Soi 9/1 - (Mar 28th)
Yellowjackets - (Mar 28th)
Power Book III- Raising Kanan - (Mar 28th)
The Trades - (Mar 28th)
The Rachel Maddow Show - (Mar 28th)
Gardening Australia - (Mar 28th)
**Despite being a family friendly comedy, the quality level has dropped a lot, when compared to the first films of the same franchise.** The “Police Academy” franchise is increasingly showing signs of wear and tear. After a film far weaker than any of its predecessors, I had hoped that attempts had been made to improve things a little. However, this film is at least as weak as its immediate predecessor. However, that doesn't mean it's a bad movie, quite the opposite. There are much worse and much better rated films out there, and the comedy of this film is quite friendly and familiar, unlike what happens in many other comic films, where the humor is pure and simply dirty. This is an enjoyable movie and sometimes even has some fun… it's just not as good as its predecessors. The script is based on a series of attempts to stop a group of bandits from carrying out a series of crimes and robberies in a certain area of the city. Obviously, Lassard and Harris will be together to do it, and Harris is only concerned with his own career progression and continues to be the preferred target of the cop trolls we already know. The script is not brilliant, but it manages to support the film in the way it was conceived and executed. It turns out that the quality level is now very low, and this can also be seen in the poverty of the dialogues, in the amount of clichés and situations that, instead of making us laugh, make us wonder to what extent the screenwriter was a competent person. The cast does what they can with what they've been given, but they don't have the space or material to stand out anyway. Bubba Smith assumes an unquestionable protagonism, but he doesn't have a character or even material that makes him stand out more. Michael Winslow does what he can, but he doesn't stand out much either. Easterbrook and Ramsey are a shadow of what they were in other films. Matt McCoy is no joke and shouldn't be here. Villains can be more idiotic and childish than the Looney Tunes and George Gaynes, as respectable as he is, turned his character into an old man with no memory or sense of the ridiculous. Who is still standing out in some way is G.W. Bailey, but this happens mainly because of the ridiculous situations in which he ends up involved. Technically, there isn't much to say about this film. It seeks to maintain the characteristics and visual aspect of its predecessors, with standard cinematography, conventional editing and few notable effects, in addition to the shots and some interesting situations, such as the one in which Tackleberry writes with his machine gun. Everything else is simply more of the same and doesn't deserve a specific mention.
'Police Academy 6: City Under Siege' - the penultimate flick of this franchise (for now?) - is as forgettable as those that precede it, it probably is objectively the weakest entry of the lot though. There isn't much to mention about it, it's mostly all been seen already in the series. Any sparkle that I saw in the cast continues to dwindle, though that's admittedly due to newer members getting more air than the originals; at least that's how it felt. I wanted more of Bubba Smith, Michael Winslow, Marion Ramsey and Leslie Easterbrook rather than Matt McCoy & Co. The plotline with the local mayor is alright but largely dull, especially with how obvious the supposed mystery is. That would be OK if the humour was witty, alas it is not. Winslow might not get enough screen time, but I would say his voices are more fun here than in any of the other sequels. Time to see if they ended on a high with 'Police Academy: Mission to Moscow'...
Karanina "Nina" Novak, is befriended by Nifty, the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King or Aregal back in the old country. Steve shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opa, the real King of Aregal (also Steve) appears and complicates things again.
Five different criminals face imminent death after botching a job quite badly.
John Shaft is back as the lady-loved black detective cop on the search for the murderer of a client.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors - veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie - unravel.
An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls.
Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.
Elliot Ness, an ambitious prohibition agent, is determined to take down Al Capone. In order to achieve this goal, he forms a group given the nickname “The Untouchables”.
When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.