Sundays at Café Tabac

Thread: My Rose is the 1st part of the Sequel: Thread

In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.

Interviews and performance footage are used to provide an overview of the women's music scene.

A heady, energised mash-up of animation, unseen archive footage and interviews, Rebel Dykes provides an intimate insight into the politically charged, artistically radical subculture in 1980s London, and the individuals who helped shape and change their world. Bringing together BDSM nightclubs, inclusive, sex-positive feminism, DIY zine culture, post-punk musicians and artists, squatters, activists and sex workers, these rebel dykes went out onto the streets to make their voices heard. [Feature length version of 2016 short of the same name.]

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.

In 1949, Alice Mitchell works as a prostitute on the street. After her situation worsens, she unsuccessfully attempts to reconcile with her estranged family over her homosexuality. She grows infatuated the daughter of a Christian household, Annabel. But she ultimately decides to give up the relationship in order to make peace with her parents.

Nothing - not her father, not the church - can stop unruly Angela from being with her childhood best friend turned great love, Sara. Based on a true story, Viola di Mare, presents a uniquely engaging portrait of family, community and gender roles in a 19th century Italian village.

1962. A crystalline voice becomes a planetary tube. A Belgian nun jostles Elvis and the Beatles on the world charts. Her name: Sister Smile. A popstar with the trajectory of a comet who understands her success no more than the double meaning of her words… The harder the fall will be. Even God does not protect sharks' appetites or pretenses of success! Who killed the little voice of God? Here is the tragic story of an innocent voice, of an extraordinary fate, almost of a curse ...

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.