Ludruk Dahulu, Kini, dan Nanti

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

Short documentary about—the now closed—Olympic Doughnuts in Footscray, Melbourne.

Putta (Whore) follows the story of three prostitutes living in the town of Foz do Iguaçu, on the triple border between Brazil, Argentina and Paraguay. The film traverses the complexities of each of the three prostitutes personal lives’–from transexuality to family and motherhood–in the context of the brothels and streets in which they work.

Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Games You Can’t Win explores “empathy” gaming, a new video game movement in which developers are sharing some of their most intimate or traumatic personal experiences through artful, documentary-style video games. Using a combination of intimate verité footage and video capture from the games, the short film tells the stories of three developer and the personal experiences that inspired their game.

Documentary following six trans men and women in Scotland as they struggle to find love and maintain existing relationships.

In the quirky mountains of Colorado, people from all over the world gather to throw a party for a frozen dead guy. “Grandpa” died in 1989 and was frozen by his Norwegian grandson who hid him away in a tiny shed along with one other body. The uncovering of the bodies, as well as the controversy that followed, led to an annual celebration of costumed weirdos looking to drink, dance, race coffins, and dive into a frozen lake.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.