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A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.
Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.
After a bad breakup, a college-aged Parisian moves into her father's flat only to discover that he is living with his new girlfriend - a young woman her age.
In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.
During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.
Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.
1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?
This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day. International Critics Prize at the 1972 Cannes Film Festival. Copy restored in 2012