Fin de vie : pour que tu aies le choix

Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.

The film is based on the events of the 4th International Orthodox Music Festival held in Moscow in February, 1992. The Festival featured not only such famous works as Rakhmaninov's "The All Night Service" and "Liturgy" but also the first performance of the latest interpretations of ancient Russian songs and the sensational first performance of Sviridov's cycle of "spiritual songs".

Documentary about the making of The Doors’ album Morrison Hotel, considered by many to be one of the greatest resurrection albums of all time. Released in 1970, opening with its iconic guitar lick from the breakout hit Roadhouse Blues, the album sold a million copies in less than 3 days.

The social contract: the rules we follow - and some don’t. Breaking Social uncovers the pattern of corruption and kleptocracy erasing the social tissue, followed by social uprisings. In Chile a new turn is taken, with young women in the lead.

In colorful, sunkissed postcards, this film invites you to join the wonderful and melancholic backstage world of a classic Charter holiday.

By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.

Hardway is an in depth dive into the North American Deathmatch Wrestling Scene. You will get to see a rare glimpse behind the curtain and into the lives of those who put their bodies on the line to entertain the fans. Viewers witness first hand the bloody aftermath of some of the bloodiest matches in Deathmatch wrestling's history. Hardway is a Documentary film that takes a raw unfiltered look into the world of North American Deathmatch wrestling. Includes rare never before scene interviews and footage.

Kaniela: The Danny Kaleikini Story, is a biographical documentary based on the life of the man known as Hawaii’s Ambassador of Aloha, as told in his own words. Born into a large family with limited resources, Kaleikini learned the value of hard work by selling newspapers, shining shoes and singing on street corners at a young age to help support his family. He developed his singing and entertaining skills during his family’s weekend backyard parties. Kaleikini began working in Hawaii’s tourism industry in the 1950’s and after learning lessons from other local entertainers, blossomed into a beloved and globally known entertainer with over 30 years of performing in Hawaii, Las Vegas and Japan.

Jacqueline Lundquist's father, Donald C. Lundquist, served in Vietnam in 1967-68. While there, he wrote hundreds of letters and recorded many hours of audio tapes that he sent to his wife and daughter. A mere months after returned from the war, he died. Jacqueline was barely 5 years old. Her mother gave her the letters and audio tapes in her teens, but she didn't read them until the summer of 1997 when she was 7 months pregnant with her son, Sam. She was 34. That set her on a journey of getting to know her dad and retracing his footsteps in Vietnam. She ultimately befriended a North Vietnamese soldier who had fought opposite her father. His family had also kept all the letters he had written back to his wife and daughter. This is their contrasting yet similar story.

After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.