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Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
The Nature of Things - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
Celebrity Help My House Is Haunted - (Jan 30th)
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Ozark Law - (Jan 30th)
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Dateline- Secrets Uncovered - (Jan 30th)
After Midnight - (Jan 30th)
Watch What Happens Live with Andy Cohen - (Jan 30th)
A League of Their Own - (Jan 30th)
Tipping Point Australia - (Jan 30th)
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Chicago P.D. - (Jan 30th)
There have been millions of stories over the past couple of decades about how 9/11, and the War on Terror, have affected global society. This documentary sheds light on an almost forgotten set of people who were being held captive in Afghanistan when the United States exacted revenge on the terrorist-sympathizing Taliban, to whom we disastrously handed the country back. Shelter Now International is a multi-national Christian aid organization who provide food and comfort to those in need. They have a team in Afghanistan, but were told not to preach the Gospel unless asked, since the Taliban have made the attempted conversion of Muslims a crime. On August 23, 2001, eight western members of the organization (Americans Heather Mercer and Dayna Curry, Australians Peter Bunch and Diana Thomas, and Germans Margrit Stebner, Katrin Jelinek, Silke Duerrkopf, and Georg Taubmann), and another sixteen Afghans are arrested for supposed indoctrination. What followed was over one hundred days of brutal captivity, constant mental abuse, threats of execution, and the fear of never seeing their families again. Even in the face of American bombings, the eight keep up their faith: praying pacifists who cannot find it in themselves to harm their guards to escape. A question I had almost right away was: sure, we focus on the eight westerners, but what about the poor Afghans? Do they not count? Yes, we find out they do count, but they were also still in Afghanistan. The few subjects who the film makers are able to talk to have their faces blurred out for fear of reprisal, which was and now is possible. The main eight subjects all use their faith in God to get through their ordeal, although each seems to have had their breakdowns and doubts on many occasions. The four prisons they are shuffled around to are squalid, and filled with political Afghan prisoners- one prison for non-believers has 1500 boys in it. The country's women are treated as less than human; they are not allowed to refer to themselves by name- but as either "wife of..." or "daughter of...". The hostages' capture in late August 2001 was big news until the September 11 attacks, and the Taliban tried to use their presence as human shields, unsuccessfully bartering with the United States and the United Kingdom before bombing commenced on October 7. Although all eight subjects are interviewed, the film is still rife with suspense. Hostage Taubmann revisits many of the places they were held, showing the camera first hand what happened. This is compelling stuff, as are the tales of the torture and beatings the Afghan citizens had to endure. Some of the captors eventually helped the prisoners, but watching the interviews, I could tell the stress was still there on the faces of everyone involved. My quibbles with the film are minor, but do keep this from being a perfect story. I would have liked to see more about how these people dealt with ordinary life upon their return. I know some went back to Afghanistan, or wanted to return, but how was their faith strengthened or shaken? The film makers use a very crude but effective animation technique to show some of the scenes- the trial, some prison sequences- that could not possibly be filmed or recreated. The narration by the awesome Jim Caviezel is almost non-existent, so unobtrusive that I would forget he was narrating until he started to speak. The musical score is alright, and the editing is very tight. Director Pearson captures the otherworldly-looking Afghanistan countryside very well. "Kabul 24" isn't "Midnight Express" revisited, but it tells an important chapter in the history of a country that is still in the news today. The two dozen hostages should be admired, and so should this film.
Key decision makers reveal the inside story of how the West was drawn ever deeper into the Afghan war. Reporter John Ware charts the history of a decade of fighting and looks at when the conflict may end.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.
Six years ago, U.S.-led forces drove the Taliban from power in Afghanistan for providing sanctuary to al Qaeda terrorists. Now, these Islamist militants are back.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
Examining Bible accounts of faithful servants of old bolsters our faith that Jehovah protects those who trust in him today. Bible prophecy guarantees that Jehovah will bring about lasting peace in the near future.
Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.
During the 1980s, Russia fought a disastrous war in Afghanistan. Shot by a Western crew, the 40 minute film includes footage of combat missions with the Spetsnaz elite units, helicopter gunship pilots from a Kabul-based Air Assault Unit flying missions, the patrolling of the Salang mountain pass and the military hospital in Kabul. Soviet General Lev Serebrov referred to the making of the film as "An experiment in glasnost".
This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.
Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.
Mina Bakhshi, Haniya Tavasoli and Rabia Hussain had a fair amount of latitude for women in Afghanistan, able to pursue their education, go to work, and explore hobbies and interests. Joining Ascend, a nonprofit organization teaching leadership and rock climbing to women, gave them the chance to test their personal and cultural limits and explore the mountains of their home country. But when the Taliban took over in August 2021, Ascend became their one chance to escape a regime that would restrict their freedoms and future.