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When the Phone Rings - (Nov 28th)
Deal or No Deal - (Nov 28th)
Four in a Bed - (Nov 28th)
Richard Osmans House of Games - (Nov 28th)
The Chase - (Nov 28th)
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Smoggie Queens - (Nov 28th)
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The Impact- Atlanta - (Nov 28th)
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The Kelly Clarkson Show - (Nov 28th)
Bangers and Cash- Restoring Classics - (Nov 28th)
Emergency - (Nov 28th)
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Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
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The Chase Australia - (Nov 28th)
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Based on a Karen Blixen story, Babette's Feast is a heartwarming tale of generosity in 19th century Denmark. As the film opens, we are introduced to Martine and Philippa, daughters of a charismatic preacher in a tiny Jutland village. Dedicated to their father's work, they turn down the courtship of a Danish officer and a French musician. Decades later, the musician sends them Babette, a refugee from the destruction of the Paris Commune, in the hope that the sisters can shelter her and employ her as a maid. When she wins an annual lottery, Babette decides to put on a feast for her employers, but no one expects the depths of selflessness she goes to. Babette's Feast is entertaining enough, and it gives an idea of just how dull and messy life in Jutland was at this time. The details of the feast will make you salivate and dust off the French cookbook, and certainly the ending will make you say "Aww" in spite of how clumsily it's put on film. Otherwise the acting isn't too revelatory, and the humour is pretty basic (the same joke is even used twice). One professional reviewer said this doesn't aim much higher than a television movie, and I'd have to agree.
Well, 'Babette’s Feast' is exactly what it says on the tin, that's for sure. It is a film that I'd personally refer to as 'good', though my interest did ascend and descend interchangeably throughout. The religiously and sing-y scenes were the parts that kinda lost me if I'm honest, but there is still enough there that I had a fine time seeing unfold - the characters for one, and then the final feast itself is decent viewing. Stéphane Audran is the best performer onscreen, I enjoyed her showing. The actresses that play Filippa and Martine, both younger and older, are solid. Beyond them, the rest of the cast all kinda merge into one in my memory as being alright. It's very much all about Audran, I'd say. I do like how the film unfolds and what it has to end up saying, there is charm in there. I just personally would've had it move along at a slightly quicker pace because this does drag a tiny bit in parts; and that's despite it only being practically a 90 minute movie. Overall, though, it's a pass from me.
**_The moment when “Mercy and truth… have kissed each other”_** In a northern Jutland village, two daughters of a pietistic Lutheran pastor are dutiful spinsters by 1871 (Bodil Kjer and Birgitte Federspiel) when they take-in a Parisian refugee who “can cook” (Stéphane Audran). Fourteen years later, the latter insists on banquet for the dwindling congregation and a Hussar general, a former suiter of one of the sisters from decades earlier (Jarl Kulle). A Danish production, “Babette’s Feast” (1987) was based on the short story by Isak Dinesen, aka Karen Blixen, who’s also known as the author of “Out of Africa.” I point that out because this has the same quietly dramatic tone, just transplanted to a family of ascetic rural Protestants in 1800’s Denmark. To enjoy this, you have to be in the mood for period drama along the lines of “Mysteries” (1978) or “Mayflower: The Pilgrims' Adventure” (1979). This is even more mundane and subtle than those, but it’s rich with underlying meaning, such as two opposing things meeting at the table of the true artist for respite, e.g. worldly disillusionment and stiff pietism, Protestant and Catholic, upper-class and lower-class, the experienced and the naïve, bickering congregant and fellow congregant, older self and younger self, etc. I said the movie was subtle, and it is, that is until the third act when a couple of bits are laid on too thick. But, man, I loved the part about loving someone every day, decade after decade, even though you can’t physically be together for one reason or another. It's at least 20 minutes overlong at 1 hour, 42 minutes. And was shot in Denmark with the village located at Vigsø, Thisted Kommune. GRADE: B-
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
A talented young street-food cook pushes herself to the limit after accepting an invitation to train under an infamous and ruthless chef.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts
After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.
Danielle, a vibrant young woman is forced into servitude after the death of her father when she was a young girl. Danielle's stepmother Rodmilla is a heartless woman who forces Danielle to do the cooking and cleaning, while she tries to marry off the eldest of her two daughters to the prince. But Danielle's life takes a wonderful turn when, under the guise of a visiting royal, she meets the charming Prince Henry.
A true story. In the last days of her mother’s life, 19-year-old Tiffany crashes with five family members in a Las Vegas studio apartment. In order to make ends meet, her sister, a phone sex operator, introduces her to the world of fetish cam girls.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king's newest mistress. In Vatel, she finds someone who's authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?
Arnold is a gay man working as a drag queen in 1971 NYC. He meets a handsome bisexual man.