Francoeur : On achève bien les rockers

Billy Ruane, storied impresario of the 90s Boston indie music scene. Billy promoted shows and inspired cult-like followings of bands by the likes of The Lemonheads, Dinosaur Jr., Pixies, Superchunk, Buffalo Tom, Elliott Smith, Pavement, and Sonic Youth. His gracious treatment of artists set new standards in music. But underneath Billy’s exuberant cartoon-like demeanor and Harvard education, was the pain of a man with deep trauma, who struggled with bipolar disorder and substance abuse, and was confounded by the weight of an endless supply of money.

The Life & Times of Bobby Keys ... decades-long Sax player with The Rolling Stones, best friend to Keith Richards, and session player with John Lennon, Eric Clapton, Delaney & Bonnie, George Harrison, Dr. John, Joe Cocker, Harry Nilsson, Ian McLagan, Keith Moon, Etta James, Ronnie Wood, Sheryl Crow, Ringo Starr, Joe Ely, Warren Zevon, Billy Preston, Donovan, Marvin Gaye, Lynyrd Skynyrd, Carly Simon, Barbra Streisand, John Hiatt, Yoko Ono and B.B. King.

This documentary opens a new door to Springsteen's creative process for fans around the world, sharing fly-on-the-wall footage of band rehearsals and special moments backstage — as well as hearing from Springsteen himself.

Formed in 1975 from the remnants of a British blues band and a California soft-rock duo, Fleetwood Mac evolved into one of the most successful pop-rock groups of the 1970s-a reputation no doubt cemented by their 1977 masterpiece RUMOURS. One of the bestselling albums of all time, RUMOURS' impeccable songwriting, lush vocal harmonies, and polished production stand as testament to the band's cohesive powers-a fact made even more remarkable by the romantic tensions roiling amongst its members at the time (Lindsey Buckingham and Stevie Nicks were ending their long-term romantic relationship; Christine and John McVie were getting a divorce). This episode of the CLASSIC ALBUMS series recounts the making of Fleetwood Mac's career-making opus through interviews, behind-the-scenes footage, and live performances of timeless gems such as "Don't Stop," "Dreams,""Go Your Own Way," "You Make Loving Fun," "The Chain," and more.

The documentary shows the Maestro's entry into the Santa Marcelina Music College, where he met the friends with whom he would form Angra, and questions asked more than 20 years ago that had never been commented on will be answered. These are relevant statements by Andre himself, Kiko Loureiro and Rafael Bittencourt, who talk about the misunderstanding between them and the consequent departure of the singer from the band. Drummer Marco Antunes, who is speaking publicly about Angra for the first time, tells how things started to fall apart right at the beginning of the band.

Follow the moment Barrett was kicked out of Pink Floyd, from the narrative of him going from groundbreaking musician to iconic rocker and manic, unstable star.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

The history of rock n' roll and pop music are explored are explored via interviews and footage of well-known music stars.

In the summer of 1992 two filmmakers, Jeroen Berkvens and Walter Stokman, travelled through the United States of America. They were searching for tracks of the famous soulsinger Sly Stone.

We love rock ’n’ roll: well, it’s hard not to, with its sexy, totally exhilarating back story, and the way it continues to evolve and remain relevant. Almost 70 years after it burst onto the scene in the United States, the jury’s still out on who actually invented it. The truth is, rock ’n’ roll is a mash-up of genres that aligned at the perfect time, just as people emerged from the trauma of the Second World War craving a complete break from the recent past, and with money to spend.

For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.