Titanic: The Musical

At the turn of the 20th century, young Asa Yoelson decides to go against the wishes of his cantor father and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa — now calling himself Al Jolson — joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.

While combing through the belongings of his recently deceased aunt, Matsuko, nephew Sho pieces together the crucial events that sank Matsuko's life into a despairing tragedy.

At fictitious Tait University in the Roaring '20s, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.

The assistant stage manager of a small-time theatrical company is forced to understudy for the leading lady at a matinée performance at which an illustrious Hollywood director is in the audience scouting for actors to be in his latest "all-talking, all-dancing, all-singing" extravaganza.

Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.

Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.

The aging Caesar finds himself intrigued by the young Egyptian queen. Adapted by George Bernard Shaw from his own play.

One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.

An original, semi-modernized musical adaptation of Shakespeare's classic romance.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.