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_**There’s a reason you’ve never heard of this Hammer flick with Cushing & Lee**_ Around the turn of the century, Sherlock Holmes (Peter Cushing) and Doctor Watson (André Morell) try to protect the heir of the Baskerville estate (Christopher Lee) in southwest England after the former owner was found dead, rumored to be victim of a curse going back to the time of the English Civil War in the mid-1600s. "The Hound of the Baskervilles" (1959) is Hammer’s take on Arthur Conan Doyle’s oft-filmed tale. While there are some minor changes to the story, it doesn’t “wildly” deviate as some have criticized. It features the lush colors and Victorian ambiance that Hammer is known for, plus you can’t go wrong with Cushing and Lee. Meanwhile Marla Landi is sharp & spirited in the feminine department while winsome Judi Moyens is notable in a brief opening role. If you like Hammer and the principles, it’s enjoyable to some degree, but there’s good reason it’s so obscure in the Hammer canon. It’s just not that compelling; the well-done opening is the best part. The movie runs 1 hour, 27 minutes, and was shot at Bray Studios, which is just west of London, and two spots south of there in Surrey: Chobham Common and Frensham Ponds. GRADE: C
André Morrell takes a more serious approach to his characterisation of "Dr. Watson" than Nigel Bruce did in his series of "Sherlock Holmes" stories with Basil Rathbone, and coupled with Peter Cushing as the fastidious super-sleuth, manages to create quite a solid drama here that mixes the scientific with the superstitious entertainingly. The detecting duo are recruited by the suspicious "Dr. Mortimer" (Francis De Wolff) following the death of the wealthy "Sir Charles Baskerville". His heir has arrived from South Africa and his new neighbour has fears for his safety. "Sir Henry" (Christopher Lee) heads to his remote Dartmoor estate where the creepy mire, dense fog, escaped convicts and lamps flashing in the distance create quite a menacing scene for the new owner of this near £1 million property. Though Lee's character proves largely peripheral, he does enough and the rest of the supporting cast - especially Miles Malleson's sherry-swilling bishop and John Le Mesurier as the butler - work well together, as does the James Bernard score, in augmenting the more traditional Hammer, slightly Gothic, look of the film. That all successfully frames a quickly paced investigation that allows Cushing and Morell to work complimentarily together as they begin to suspect that something is most definitely afoot - or is that a-paw? It's enjoyable, this film, though I wonder if it might have worked better in black and white?
Mrs. Van Houten has shown signs of losing touch with reality, and her husband discusses possible treatment with Dr. Caligari, who says Mrs. Van Houten has a disease of the libido.
A detective starts spiraling out of control when a wave of gruesome murders with seemingly similar bizarre circumstances is sweeping Tokyo.
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary – an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.
A crime reporter writes book to expose names and methods of the criminal leaders. He is held on a charge after refusing to explain how he got his information, but is released and helps to expose the syndicate.
Murders, with victims dying from spines broken by brute strength, erupt in the city and the killers, when encountered, walk away unharmed by police bullets which strike them. A police doctor's investigation of the deaths leads to the discovery of an army of dead criminal musclemen restored to life, remotely controlled by a vengeful former crime boss and a former Nazi scientist, from the latter's laboratory hidden in the suburbs.
Two close friends' plan to execute a flawless crime is crushed when one of them inadvertently leaves his glasses at the crime scene.
The presence of Ichabod Crane's descendant in Sleepy Hollow conjures the Headless Horseman to return and resume his spooky slaughtering.
A ski instructor tries to teach a bunch of insanely eccentric people how to ski while dealing with everyone wanting his attention.
A weekend boating party turns into a nightmare for a group of young Londoners when they stumble upon a terrifying secret hidden in the reeds.
A man who was a confidant of Adolf Hitler dies and leaves a fortune to make amends for his Nazi past—but his son has to search the world to find it.
The Shadow Men are immortal beings of darkness and destruction. One such Shadow Man, Os (Zane), is confronted by the White Warrior, a being of light, and given the chance to change his ways or die. After the White Warrior bests Os in combat, she opens his heart to the power of love, and charges him to find the warriors who are the representation of the five elements and will save the world.