Aftermath 2024 - Movies (Nov 28th)
Greedy People 2024 - Movies (Nov 28th)
Sincerely Truly Christmas 2023 - Movies (Nov 28th)
A Bluegrass Christmas 2024 - Movies (Nov 28th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Sweethearts 2024 - Movies (Nov 28th)
Cabrini 2024 - Movies (Nov 28th)
A Little Womens Christmas 2024 - Movies (Nov 28th)
Suspicion 2024 - Movies (Nov 28th)
Operation Undead 2024 - Movies (Nov 28th)
The Lady of the Lake 2024 - Movies (Nov 27th)
Our Little Secret 2024 - Movies (Nov 27th)
The King Tide 2023 - Movies (Nov 26th)
Alien Romulus 2024 - Movies (Nov 26th)
Anthony Jeselnik Bones and All 2024 - Movies (Nov 26th)
Ballistic 2024 - Movies (Nov 26th)
Letters at Christmas 2024 - Movies (Nov 26th)
Smoggie Queens - (Nov 28th)
Second Chance Stage - (Nov 28th)
Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
The Chase - (Nov 28th)
Return to Las Sabinas - (Nov 28th)
Rip Off Britain - (Nov 28th)
Love Island Australia - (Nov 28th)
Big Freedia Means Business - (Nov 28th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
"Jackie" (Kate Dickie) has a job supervising an array of CCTV cameras monitoring the city overnight. It's pretty dull work watching the drunks go home, or keeping an eye out for the opportunistic criminals who share Glasgow's streets during the wee small hours with the foxes that scavenge the waste ground. One morning, she espies a couple in flagrante delicto up against the wall of the Jet garage and she thinks she recognises the man. A bit more investigation and she discovers that this is, indeed, "Clyde" (Tony Curran). She becomes more and more obsessed with this man, and swiftly we appreciate that she has some unfinished business with him. She develops quite a cunning plan and sets about implementing a sting operation with quite a devious twist - one that she hopes will offer her some closure and a degree of retribution for his actions past. Gradually we become aware of just what did happen, but the presentation avoids making it a simple good v. evil style story, but actually one as much about redemption and maybe even forgiveness. Dickie holds it together well enough but maybe she's left to do a bit too much of the heavy lifting as neither Curran nor Martin Compston's "Stevie" do very much to add any depth to a screenplay or characterisation that does take it's time to get going. True, that might illustrate a little of the mundanity of her job, but that's no reason to impose that on an audience keen to establish just who's who to whom. There is some fairly graphic sex, but it's not prurient - it's all part of the natural evolution of her plan within a bigger plan - and that works effectively. It also makes you realise that it's not that hard to concoct a story plausible to many that's a complete work of well orchestrated fiction too. Shave twenty minutes from it and focus more on the two principals - and their backstory - and it'd be better, as it is, though, it's still a dark and watchable look at boundaries, lies and revenge.
Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.
Fatiya agrees to replace her cousin at a babysitting gig. When she meets the mother of the young boy she is supposed to look after, prejudice and racism cause the afternoon to take a turn.
Beautiful, funny, passionate, and calculating, Becky is the orphaned daughter of a starving English artist and a French chorus girl. She yearns for a more glamorous life than her birthright promises and resolves to conquer English society by any means possible. A mere ascension into the heights of society is simply not enough. So Becky finds a patron in the powerful Marquess of Steyne whose whims enable Becky to realise her dreams. But is the ultimate cost too high for her?
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
Karen, a young single mother, is bored by routine. Slot machines have become her secret thrill and addiction. With Christmas looming, a desperate hope for a big win sees her life spiral out of control.
The female instructor Mariko gives yoga classes at a high-class club in Tokyo. She has a crush on Rika whom she gives private lessons to. When she notices bruises on Rika's body, Mariko learns that the young woman is involved in a highly abusive S&M relationship. On order to gain the affections of her student, Mariko decides to take revenge against the men in Rika's life.
Pussy Have the Power is the song improvised by four girls in a recording studio. When an established music producer walks in, they face the choice of selling out their work to something that could lead to success, while they risk losing their own message
An intimate relationship drama about two Western models who meet and fall in love in Tokyo, only for things to start going wrong before they know it.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.