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I know, who'd have though it? An Ingmar Bergman film that's actually quite fun! It's also quite racy too! "Fredrik" (Gunnar Björnstrand) has married the much, much younger "Anne" (Ulla Jacobsson) but their relationship is as yet unconsummated. She isn't yet happy about losing her virginity or he decides she is too young for the experience. Depends on who you talk to, but suffice to say it's not about either not wanting to have sex! The arrival of his young son "Henrik" (Björn Bjelfvenstam) home after his exams turns her head and she is clearly more interested in that member of the family. "Henrik", meantime, is also a virgin and has been having a rather unrewarding and slightly comical flirtation with the maid "Petra" (Harriet Andersson) to try and rectify that situation. Their weekend scenario is going to get even more messy when actress "Désiree" (Eva Dahlbeck) arrives, stirring up memories of her own relationship with "Frederik" - one that still nurses the gentlest of affectionate flames. Finally, her friend the "Countess Charlotte" (Margot Carlqvist) shows up with her husband "Count Carl" (Jarl Kulle). Now here is an intriguing marital dynamic. He is having a fairly open, and quite jealously protective, liaison with "Désiree" whilst his wife is ostensibly permitted to play away as she pleases. This is going to be one hell of a dinner party and a combination of drink and some fairly unfettered morals are now let loose on an audience for an enjoyable, almost farcical, costume romp. Yes, it's more sophisticated than that - but essentially, this is quite a potent and funny assessment of human nature, of the constrictions we put on our own behaviour before finding a myriad of ways to breach these codes. Alcohol empowers us, reduces our inhibitions certainly; but to what extent we will do what instinct and urge tell us to is well presented here. Personally, I thought Carlqvist and Andersson stole the scenes - their characters purveying something natural, visceral and usually quite entertaining, too. Perhaps unintentional, but the film also struck me as a bit of a parody of some of the other great looking high-costume dramas the rather more earnestly illustrate the rigidity and hypocrisy of the double-standard bearing middle and upper classes, and I did really quite enjoy this.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
When bachelor Walter Davis is set up with his sister-in-law's pretty cousin, Nadia Gates, a seemingly average blind date turns into a chaotic night on the town. Walter's brother, Ted, tells him not to let Nadia drink alcohol, but he dismisses the warning and her behaviour gets increasingly wild. Walter and Nadia's numerous incidents are made even worse as her former lover David relentlessly follows them around town.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
A mystery novelist devises an insurance scam with his wife's lover – but things aren't exactly as they seem. Preserved by the Academy Film Archive in 2012.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Various lives converge on an isolated island, all connected by an author whose novel has become inextricably entwined with his own life.
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
