Meus Pais, Meus Atores Preferidos

An elderly man remembers the full life of love he has lived, with the help of a wish he made on a dandelion years before.

Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.

Newly employed in an emergency shelter for people experiencing homelessness, Geneviève is shaken to meet a young woman there whom she believed to have succeeded in reintegrating when she was her social worker.

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

Ibn Kenyatta has been in prison since 1974. In 2019, he reflects on his refusal to appear before the New York State Board of Parole. The words resonate from his cell with images of the Great Migration. The invocation of a life before walls. The images' epistolary narrative takes us from Alabama, his birthplace, to the New York subway where he was arrested and beaten. Before arriving to Haiti's spiritual world, his words pass through cotton fields and factories. We encounter Bobby Seale in prison, a youth who embodies his African heritage during the Vietnam War, while his fathers are murdered in the United States.

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

When a mistrustful rogue, who earns a living by sending "obsolete" humanoid robots to the scrap heap, has a change of heart and decides it's time to call it quits, he stumbles upon a conspiracy that will reveal his life's darkest secret.

El and Jali, a twenty-something couple from Sydney’s Inner West, arrive at a house party. As El wanders through the house, she experiences a myriad of gender performances, and finds kinship in another girl, Fleur. The night changes route completely when they are confronted by a violent figure.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Things turn sour when an amateur improv class meet for the first time after one of the group misjudges the situation. https://shortoftheweek.com/2021/11/22/doughnut