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When the Phone Rings - (Nov 28th)
Deal or No Deal - (Nov 28th)
Four in a Bed - (Nov 28th)
Richard Osmans House of Games - (Nov 28th)
The Chase - (Nov 28th)
What They Really Mean For You - (Nov 28th)
Smoggie Queens - (Nov 28th)
Live from the Other Side with Tyler Henry - (Nov 28th)
The Impact- Atlanta - (Nov 28th)
All the Queens Men - (Nov 28th)
The Kelly Clarkson Show - (Nov 28th)
Bangers and Cash- Restoring Classics - (Nov 28th)
Emergency - (Nov 28th)
Second Chance Stage - (Nov 28th)
Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
Return to Las Sabinas - (Nov 28th)
Jean-Pierre Meville's 1970 film Le Cercle rouge (The Red Circle) is a crime caper based on the interplay of several initially unacquainted individuals. As Melville's fake quote from the Buddha that serves as the intertitle goes, "When men, even unknowingly, are to meet one day, whatever may befall each, whatever the diverging paths, on the said day, they will inevitably come together in the red circle." These men are Corey (Alain Delon), who has just been released from prison, Vogel (Gian Maria Volonté), who has escaped from his police guard before he could even reach prison, and the alcoholic marksman Jansen (Yves Montand). In the jewelry heist that these desparate lowlifes plan together, they are pursued by the detective Mattei (André Bourvil). Meville's pacing is extremely slow – it has to be in order to ensure that the audience understands the complex relationships of who knows who – and suffice it to say, people who don't already like mid-century French auteur films may find this intolerable. However, if you are a fan of the French New Wave, you may find Meville's ability to sustain suspense a delicious torture. This viewer was on the edge of his seat the whole time waiting to find out what would happen next. Melville's visual aesthetic is also consistently attractive: muted colours, careful shots of the characters faces at a couple of key moments, and a striking constrast between the quiet world of these criminals and the bustle of everyday Paris. I must admit that I was prepared for some disappointment, as this was Meville's third film of criminal conspiracy in three years (preceded by the hitman drama Le Samouraï and the French Resistance saga L'Armée des ombres). However, in spite of Meville's continued interest in the genre, Le Cercle rouge offers something fresh and individual. There are a couple of intertextual looks back to Le Samouraï in the sets, but Meville shows how talented his favourite actors were by having a couple of good guys in that film play baddies in this one and vice versa. All in all, this is not a must-see, life-changing film, but certainly a classic film that has stood the test of time and well worth seeing.
Though it takes quite a while to get going, and I constantly wanted to rub that annoying moustache from the face of Alain Delon ("Corey") I really rather enjoyed this crime caper. Delon recruits the dapper ex-cop with a drink problem - "Jansen" (Yves Montand), and the recently escaped "Vogel" (Gian Maria Volontè) into his plan to rob an exclusive Parisian jewellers. Situated on the top floor of a town house with state of the art security, they must recce the scene and use all of their initiative and ingenuity to crack the systems and pinch - and dispose of - $20 million worth of loot. Simultaneously, a couple of hoodlums are chasing "Corey" after he relieved his former boss of some cash, and the police - led by accomplished copper "Mattei" (André Bourvil) are on the hunt for "Vogel". I can't say the acting set the thing on fire for me, it is certainly "cool" but you can over-do that, and at times these three men are pretty devoid of much depth to their characters. I could also have been doing with more going on in the first hour; the plot establishment all takes too long - but once Jean-Pierre Melville gets his ducks in a row and the film has a clearer focus, then the pace picks up nicely and there is quite a decent degree of tension peppered with the odd bit of dark humour. Not mad keen on the ending, but hey - that'd be telling.
When the girl that detective Joe Hallenback is protecting gets murdered, the boyfriend of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.
Four characters become involved in one dramatic story: Nico has a mission to drive a car containing a live bomb to a specified destination, park the car and escape as quickly as she can. Leo has become his client's target, having carried out a "contract" that unfortunately had already been cancelled. Fabian and Reza want to enjoy themselves without any money, bringing themselves into contact sooner or later with the police. Sooner or later all four will meet up in dramatic circumstances....
A year after losing his friend in a tragic 4,000-foot fall, former ranger Gabe Walker and his partner, Hal, are called to return to the same peak to rescue a group of stranded climbers, only to learn the climbers are actually thieving hijackers who are looking for boxes full of money.
Nico Toscani is an Italian immigrant, American patriot, ex-CIA agent, aikido specialist and unorthodox Chicago policeman. He is as committed to his job as he is to his personalized brand of justice—expert and thorough bone-crushing.
Four inner-city Black women, determined to end their constant struggle, decide to live by one rule — get what you want or die trying. So the four women take back their lives and take out some banks in the process.
Willington's only love, Mariana, is about to get married to René, Willington's cousin. While Willington is trying to get her back, a demobilization process concerning an illegal armed group is underway in the region, and new killings, besides rumors of a thief at large, will endanger Mariana's new family.
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
On June 3, 1973, a man was murdered in a busy intersection of San Francisco’s Chinatown as part of an ongoing gang war. Chol Soo Lee, a 20-year-old Korean immigrant who had previous run-ins with the law, was arrested and convicted based on flimsy evidence and the eyewitness accounts of white tourists who couldn’t distinguish between Asian features. Sentenced to life in prison, Chol Soo Lee would spend years fighting to survive behind bars before journalist K.W. Lee took an interest in his case. The intrepid reporter’s investigation would galvanize a first-of-its-kind pan-Asian American grassroots movement to fight for Chol Soo Lee’s freedom, ultimately inspiring a new generation of social justice activists.
Simon Templar (The Saint), is a thief for hire, whose latest job to steal the secret process for cold fusion puts him at odds with a traitor bent on toppling the Russian government, as well as the woman who holds its secret.
In this darkly karmic vision of Arizona, a man who breathes nothing but ill will begins a noxious domino effect as quickly as an uncontrollable virus kills. As he exits Arizona State Penn after twenty-one long years, Wilson has only one thing on the brain, leveling the score with career criminal, Mackey Willis. As eccentric and intuitive as he is vicious, Mackey's own perfected criminal game will play right into the path Wilson has set for him. With the help of a prison bus driver, Lee Marvin, Wilson acts as a catalyst, putting a plan into action that will bring an untimely end to Mackey Willis. The problem is, nothing goes exactly as planned.