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After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
Baddies Midwest and Baddies Gone Wild Auditions - (Feb 26th)
The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
Married at First Sight - (Feb 26th)
Hard Quiz - (Feb 26th)
Australian Survivor - (Feb 26th)
Watch What Happens Live with Andy Cohen - (Feb 26th)
Hunting History with Steven Rinella - (Feb 26th)
Deal or No Deal Island - (Feb 26th)
Big Miracles - (Feb 26th)
Tribunal Justice - (Feb 26th)
Two Ways With Erica Mena - (Feb 26th)
Help Im in a Secret Relationship - (Feb 26th)
Love and Hip Hop Atlanta - (Feb 26th)
Highway Thru Hell - (Feb 26th)
Rocky Mountain Wreckers - (Feb 26th)
Gangland Chronicles - (Oct 1st)
In this old classic John Wayne had not yet become the somewhat grumpy old tough guy as he is in many of his classical movies. He is somewhat younger and his character as Lt. Col. Kirby Yorke is a bit more emotional than the characters that he often played and there is a bit more romance in this movie as well. At least in my experience with John Wayne’s movies. I was not sure if I was going to like this movie so much since it is generally put in the Romance genre as well as the Western genre. However I can without a doubt say that I did indeed like it quite a lot. It is still a good old-fashioned Western movie with brawls, fistfights and a lot of shooting. John Wayne is great in his role and a lot of the supporting characters are very enjoyable. I especially liked the old Sgt. Major and I would have liked there to be a more official scene of forgiveness between Mrs. Yorke and him. There were a lot of nice interaction between the Sgt. Major as well as between other characters in the movie. At times the movie was really funny due to these interactions between several of the rather original characters in the movie. To my understanding John Ford was more or less forced by Republic Pictures into making this movie in exchange for his pet project, The Quiet Man, to be produced. I would say that this was a good move by the movie company even though the movie was produced as a low-budget movie even by the standards at the time. The only thing I feel sorry about is that it was shot in black & white. As is often the case in good old Western movies there are a fair share of lovely nature scenery and I think some of that would have been much better in full color. Oh by the way, one thing puzzles me. Why on earth did they make a movie poster with John Wayne without a mustache when he is having one throughout the whole movie?
More artistry from the maestro. The final piece of John Ford's cavalry trilogy is a fine portrait of the old west and the soldiers who operated at that time. Much like She Wore A Yellow Ribbon, this film continues with the central theme of human focus, getting close and real to what makes these folks tick, all laid out on Ford's wild frontier portrait. This offering throws up a number of emotions by splicing Western staple conventions. We have a special war time romance (the excellent John Wayne & Maureen O'Hara), a fair dash of humour (hats off to Ben Johnson), and some delightful tunes brought to us by Sons Of The Pioneers. But ultimately it's the realistic feel to the film that makes it so special. There is no overkill of the subjects, it is painted as hard grind, not all whooping in the air and shooting the enemy - with the camera work from Ford able to bring it all vividly to life. What we ultimately get is a post civil war tale that looks great and beats a sound and true heart. 8/10 Footnote: The whole trilogy isn't for those seeking out good old shoot 'em ups in the Wild West, it is for those looking for involvement into a past that has long since gone, but thankfully one that is kept vividly alive by such directing masters like Ford.
"Col. Yorke" (John Wayne) has enough on his plate fighting the marauding Apache when his son "Jeff" (Claude Jarman Jr) arrives at his post, only to be followed shortly thereafter by the man's mother "Kathleen" (Maureen O'Hara) determined to buy him out. Let's just say that marital relations are a bit strained, and that the youngster has no intentions of leaving his post and so the seeds of slightly comedic discord are sown as mother and father bicker their way back into love. The film itself is all just a bit predictable, but there's a fun dynamic between Wayne and O'Hara and a solid supporting cast offering entertaining roles for Chill Wills; Victor McLaglen as the snifter loving "Quicannon" and Fred Kennedy as the gargantuan "Trooper Heinze". There's plenty of action and the stars make sure that what "romance" there is, is presented in feisty and stroppy a fashion with the bare minimum of anything remotely sentimental. John Ford knew how to cast and make an entertaining western and he does it well here.
Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl Rio's place after Billy is shot.
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
It's 1885 in Arizona and an Army Captain has dispersed his troops to keep the whites off of Government land thereby keeping the peace with the Apaches. But there are those in Tucson that want the miners back looking for gold and they put pressure on officials in Washington. Soon a new commander arrives, the troops are recalled, and the miners go after gold. Whites then kill a miner with an arrow so they can attack the Indians hoping the troops wipe them out when they retaliate.
Ten years after the Civil War has ended, the Governor of Texas asks Leander McNelly to form a company of Rangers to help uphold the law along the Mexican border. With a few veterans of the war, most of the recruits are young men who have little or no experience with guns or policing crime.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
The legendary true story of a small band of soldiers who sacrificed their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.
John Breen (John Wayne), a Kentucky militiaman falls in love with French exile Fleurette De Marchand (Vera Ralston). He discovers a plot to steal the land that Fleurette's exiles plan to settle on and aims to foil it.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for their mother's funeral, and discover that the family ranch is now in the hands of Morgan Hastings, the town's gunsmith.