Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
Jean Rochefort and Aida Foch present quite an unique sort of love story here as he ("Cros") invites her ("Mercè") to sit for him as a muse for his sculpture. They met because his wife "Léa" (Claudia Cardinale) encountered the girl fleeing from the Nazis in the occupied part of France. She is aspiring to make it back home to Spain, bit is weak and penniless. As she poses for the elderly man, they enquire much of each other and begin to develop a bond that is entirely complementary to his marriage, but provides him with a long lost, invigorated, inspiration to create something beautiful from his block of marble. It's a slow burn, this, but somehow it manages to create a perfect framework for an evaluation of age, certainly, but also of beauty too. A beauty that is reflected on a more viscera level by the fact that Foch is naked for a great part of the film - even when not posing; but also of the beauty of the art and the craft of working the stone - something that the lighting team must take considerable credit for illustrating in an almost halo-like fashion. The dialogue is sparing but lively when it's there, and Cardinale delivers very well as the foil to the increasingly intense friendship between the two ostensibly polar opposites. The denouement wasn't quite what I was expecting, but it worked fittingly as this attractively photographed story of affection came to a close that offered a form of redemption for all.