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Those familiar with my writing know that I’m not much of a fan of horror films, though I have been somewhat encouraged by the emergence of “smart horror” releases in recent years – scary movies that seek to do more than just try to see how high they can get the body count by film’s end. So I was naturally intrigued by this debut feature by writer-director Michael Kovich Jr. which tells the story of a man (Bruno Sosa Bofinger) who unwittingly finds himself imprisoned in his own apartment, with massive chains covering his front door from the inside. Based on its impressive trailer, the picture suggests that it’s going to provide viewers with more than what they typically expect from such fare, thanks in large part to its stylish production design and gorgeous black-and-white cinematography. Regrettably, however, “The Apartment” doesn’t live up to that potential, mainly because its narrative is wholly predictable. It doesn’t take long to figure out what’s going on here (I called it after about 10 minutes into its 1:27:00 runtime), and that kind of predictability is, for me, the cardinal sin of filmmaking, no matter how elaborately the production may be dressed up. As a consequence, the film limps along with tedious pacing and tiresome redundant sequences, clearly padding a story that ultimately doesn’t have much substance going for it. It also suffers from an excess of scenes featuring graphic depictions of domestic violence, material that could have easily been scaled back without losing any meaningful impact. The bottom line is that this disappointing release represents a missed opportunity to help elevate a genre very much in need of new life. Instead, we’re left with an offering stuck in an old mold, despite an attempt to use upgraded aesthetics to make it more than it is. And there’s nothing frightening in that.
The local sheriff of Dead River, Maine, thought he had killed them off ten years ago - a primitive, cave-dwelling tribe of cannibalistic savages. But somehow the clan survived. To breed. To hunt. To kill and eat. And now the peaceful residents of this isolated town are fighting for their lives...
A group of high school students try to capture evidence of an urban legend on film but soon realize that they're the ones being watched.
It's Christmas Eve, the city goes dark, and the few remaining tenants of The Ravenwood find themselves trapped in their building. And they are not alone.
A man goes through extreme measures to attempt to stop the ghosts of the girls he murdered in a snuff film from haunting while trying to keep the authorities off his back as well.
Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.
When Jess sets sail on a yacht with a group of friends, she cannot shake the feeling that there is something wrong.
A samurai kills a blind man who tells him to repay his debts. Because of the samurai's actions his entire family is to bear a terrible curse.
In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.
Three aspiring young Japanese models are on their very first fashion shoot at an abandoned school one hot summer day. Without warning, strange events begin occurring around the set that causes the models and photo crew to question their sanity, as one by one they begin to die agonizing and painful deaths that are seemingly caused by none other than themselves.
Members of the school's marching band are having their final rehearsal. They have to spend the night at the school, and a gang of mischievous students get together to tell ghost stories passed down through generations the horrifying legends of their schools.
