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Standing on the Shoulders of Kitties The Bubbles and the Shitrockers Story 2024 - Movies (Jan 20th)
A Quiet Place Day One 2024 - Movies (Jan 20th)
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The Outrun 2024 - Movies (Jan 20th)
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Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
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A Nanny to Die For 2024 - Movies (Jan 19th)
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The Bear Lake Murders 2025 - Movies (Jan 18th)
University Challenge - (Jan 21st)
The ReidOut with Joy Reid - (Jan 21st)
Traffic Cops - (Jan 21st)
Rescue- HI-Surf - (Jan 21st)
90 Day- The Last Resort - (Jan 21st)
Kids Baking Championship - (Jan 21st)
9-1-1- Lone Star - (Jan 21st)
Sight Unseen - (Jan 21st)
The Beat with Ari Melber - (Jan 21st)
Geordie Shore - (Jan 21st)
Deadline- White House - (Jan 20th)
24 Hours in Police Custody - (Jan 20th)
The Repair Shop on the Road - (Jan 20th)
Love Island- All Stars - (Jan 20th)
Murdoch Mysteries - (Jan 20th)
Forensic Factor- A New Era - (Jan 20th)
Katy Tur Reports - (Jan 20th)
Deal or No Deal - (Jan 20th)
Richard Osmans House of Games - (Jan 20th)
Panorama - (Jan 20th)
After losing his job during lockdown, Natan signs up to a microtask website. Having become a “Turker” alongside tens of thousands of others, he is paid a cent for each face he erases on Google Street View. Under the guise of Otto, a fictional character, he embarks on an experimental and playful investigation into “clickworkers”, haunted by the spectre of Beckett.
TMZ exclusively sits down with Arnold Schwarzenegger and Sylvester Stallone as they discuss for the first time how their once-fierce rivalry led to two Hollywood icons forever being friends and brothers in arms
Marta and Karina are sex workers also studying to become lawyers. Filmed over ten years, this documentary captures their unlikely journey from prostitution to the defense of women's rights.
Fernando is an actor and theater teacher who, at the age of 74, is impelled to be the protagonist of himself in an experience that blurs the boundaries between the documentary and the fictional. Faced with a delicate problem in his heart, he follows a life full of love for art, where education emerges as a powerful transforming element of reality.
Marusya is 16 and, like many Russian teenagers, is determined to end her life. Then she meets her soulmate in another millennial, Kimi. They spend a decade filming the euphoria and anxiety, the happiness and misery of their youth, muzzled by a violent and autocratic regime in the midst of a “depressed Russia”. This film is a cry from the heart, a tribute to an entire silenced generation.
With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.
What is it like to be young and grow up on a reserve? Focussing on music lessons, the film reveals the complex relationships that Indigenous youth can have with their “white” teachers. How can two cultures come together? A question the film asks, while inviting us into the private worlds of three Atikamekw teenagers, Myrann, Wapan and Seskin, who are trying to build their future and find a place in this world.
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.