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A desperate survivor races for the most valuable resource in a dangerous and desolate wilderness.
Field of Vision and The New Yorker have created a six-part episodic documentary, filmed in 2015, that immerses us in the Syrian refugee crisis. Matthew Cassel, an independent multimedia journalist and filmmaker based in Istanbul, follows the seven-month, obstacle-laden 1700-mile journey of Aboud Shalhoub, a Syrian refugee who has fled the dangers of wartime Damascus in order to build a better life for his family in the Netherlands. Cassel's colleague Simon Safieh remained in Damascus with Aboud's wife and two children, who eventually join him in Europe.
Two strangers constantly meet on public transportation, until one decides to take the first step to talk to the other.
A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.
Vala and Benni are on the road and struggle to find a mutual purpose in their new destination.
Fareed, a young poet of Berber origin, has a sewing workshop in his apartment in Montreal. At first, Fareed doesn’t react at the accusing finger the news media point at all Muslims. But Fareed is forced to react when a client finds herself embarrassed by a message he has left in one of the dresses.
A couple's oneupmanship reaches unbelievable heights after a man eats his wife's plums.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
A woman working as a cashier at an illegal gambling parlor pushes her luck by stealing money from gamblers as a way to pay off her own debts. When one gambler realizes he’s been cheated, he returns with murderous intent and the already dismal situation spirals out of control.
