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2018… Norman Jewison and William Harrison expand Harrison’s short story into a full length feature film, with great results. Story takes place in 2018 and the world is a global corporate state, a hegemony of six ruling cartels. There are no wars, poverty and etc, so the cartels provide the antidote to pent up frustrations with Rollerball, a bloodthirsty arena sport where no quarter is given or taken. But when the sports number one star, Jonathan E, becomes a free spirit and too big for the sport, the corporations aim to retire him… Headed by a superb James Caan as Jonathan, the performances are from the high end, the photography superb and the action during the games themselves is beautifully choreographed. The use of classical music to run concurrent with the themes in the narrative is smartly rendered to the tricksy plot, while the writing is sharp and deserving of the utmost attention from the viewer. It’s folly to suggest that when the film is away from the Rollerball ring it sags a touch, so patience is required and a respect of literate posturing is also expected to get the most out of it. A deft crafted dystopian sci-fier with literate smarts and lusty blood letting. 7.5/10
"Rollerball" is a violent, quickly paced and ruthless sport and "Jonathan E" (James Caan) is it's acclaimed hero. Dominant and popular, the crowd love him - but his boss "Bartholomew" (John Houseman) tells him it's time to retire. Their world is run by big corporations and these are not to be readily defied - but "Jonathan" isn't going to play ball. He is not going to sacrifice his fame, fortune and adulation without exacting some conditions of his own. One of which is that he be reunited by his wife (Maud Adams) who was apparently "reallocated" at the behest of another company bigwig. He also tries to find out just who is behind his dismissal - and why, and luckily has the help of "Cletus" (Moses Gunn) on that particular quest as his options narrow and "Bartholomew" becomes ever so slightly more menacing. The action scenes with the ball and skaters racing around the track is quite scintillating to watch with intense photography and plenty of high-speed tumbles, but the rest of it is all sort of "Logan's Run" with an Houseman who really only knew how to play one role. That worked well in the "Paper Chase" (1973) but here, it's just a bit underwhelming. Caan puts his heart and soul into the story, but there are too many holes in that to resonate beyond the obvious and rather undercooked swipe at a sterile authoritarianism that reminds us of the Nero and the Coliseum style of entertainment for the obedient (or else!) masses. It's fine - but nothing more.
WBC/WBO/IBF light heavyweight king Artur Beterbiev defends his crown against former world champion Callum Smith at Videotron Centre in Quebec City, Canada.
In a dystopian future, insurance fraud investigator William Gold arrives in Shanghai to investigate a forgery ring for "papelles", futuristic passports that record people's identities and genetics. Gold falls for Maria Gonzalez, the woman in charge of the forgeries. After a passionate affair, Gold returns home, having named a coworker as the culprit. But when one of Gonzalez's customers is found dead, Gold is sent back to Shanghai to complete the investigation.
A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.
Delos is a futuristic amusement park that features themed worlds—ancient Rome, Medieval times and the Old West—populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.
When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
After years of outrunning ruthless bounty hunters, escaped convict Riddick suddenly finds himself caught between opposing forces in a fight for the future of the human race. Now, waging incredible battles on fantastic and deadly worlds, this lone, reluctant hero will emerge as humanity's champion - and the last hope for a universe on the edge of annihilation.
After their narrow escape at the end of "Pitch Black," Riddick, Jack and the Imam find themselves at the mercy of a madwoman who intends to entomb Riddick forever as part of a twisted art exhibit. With little but a shiv and Riddick's innate viciousness to aid them, Riddick and his allies must find a way to escape from their captor and her band of mercenaries.
The year is 2015, and big brother is everywhere. The search for immortality is over. Science has finally achieved the impossible, undermining the most basic aspect of life: that Mind, Body, and Soul must be one, Those who benefit from this new technology will wake up to a new and youthful beginning - the rest of humankind must live a bad dream and wake up to a living nightmare that goes beyond life, beyond death, and beyond redemption.
In a dystopian Detroit, grand houses that once housed the wealthy are now homes of the city's most-dangerous criminals. Surrounding the area is a giant wall to keep the rest of Detroit safe. For undercover cop Damien Collier, every day is a battle against corruption as he struggles to bring his father's killer, Tremaine, to justice. Meanwhile, Damien and an ex-con named Lino work together to save the city from a plot to destroy it.
In the year 2045, a Los Angeles Police Department detective and his new android partner enter the Zone, a forbidden section of the city plagued with an unknown disease. There, they discover the source of the illness and attempt to stop it using the android's advanced technology and weaponry.
Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.