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Family Feud Canada - (Mar 12th)
Home of the Year - (Mar 12th)
Ishura - (Mar 12th)
Wild Cards - (Mar 12th)
Allegiance - (Mar 12th)
A Killers Mistake - (Mar 12th)
Body Bizarre - (Mar 12th)
The Weekly with Charlie Pickering - (Mar 12th)
The Dog House Australia - (Mar 12th)
The Chase Australia - (Mar 12th)
Watch What Happens Live with Andy Cohen - (Mar 12th)
Deal or No Deal Island - (Mar 12th)
Deal or No Deal Island After Show with Boston Rob - (Mar 12th)
The Curse of Oak Island - (Mar 12th)
Married at First Sight - (Mar 12th)
The 11th Hour with Stephanie Ruhle - (Mar 12th)
Tribunal Justice - (Mar 12th)
After Midnight - (Mar 12th)
Homes Under the Hammer - (Mar 12th)
The Tucker Carlson Show - (Mar 12th)
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.
An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
A featurette where Ari Aster and the cast break down the story and give us a behind the scenes look at the making of the film. It gives a fascinating look inside Ari Aster’s mind, and the detail put into production.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Take a behind-the-scenes look into the most pivotal elements of THE BLACK PHONE production, including adapting the story and achieving the vision of director Scott Derrickson.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.