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Tipping Point - (Feb 27th)
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The Kelly Clarkson Show - (Feb 27th)
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Family Feud Canada - (Feb 27th)
Reacher - (Feb 27th)
Life Below Zero - (Feb 27th)
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Green Eyed Killers - (Feb 27th)
Kirstie And Phils Love It Or List It - (Feb 27th)
Tyler Perrys Young Dylan - (Feb 27th)
Harley Quinn - (Feb 27th)
NCIS- Sydney - (Feb 27th)
After Midnight - (Feb 27th)
The 11th Hour with Stephanie Ruhle - (Feb 27th)
The Real Housewives of Sydney - (Feb 27th)
The Thundermans- Undercover - (Feb 27th)
The Family Business- New Orleans - (Feb 27th)
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This starts off quite strongly as we meet the young “Bruno” (Sebastian Rojano) who has a penchant for setting things alight. We are not talking grand conflagrations here, but a few dozen matches inside the box can make for quite a distressing sight for his mother when he’s playing in his room! His home life is a bit complicated as his father has recently died and his mum has a new lover, so he decides that he is going to travel to the city to meet a girl he met on the internet. The thing is, “Dani” (Natalia Quiroz) has not been entirely honest with him about her agenda and that’s just further exacerbated by “Ian” (Ari Lopez) who is the gay best pal of “Bruno” and with whom he has had the occasional dalliance. He’s confused, “Dani” is confused and his mother is concerned that her son is in danger of going off what rails he was ever on. With the story now well poised, it unfortunately rather loses it’s way as the characters struggle to focus on what’s important to them, personally, or to us watching. There’s too much pointless dialogue, implausible decision making and padding and though both Rojano and Quiroz deliver their roles with a degree of poignancy the underlying thrust of the drama becomes a little too tepid. I did like that it doesn’t take a rose-tinted approach to growing up, and that it illustrates quite well the fluidity of sexuality and the pressures to conform from both within and without, but again there is just too little substantial to activate the characters and make them relatable. It’s a good looking production but a little too soporifically scored and that rather sums up a disappointingly flat coming-of-age story that struggles to stand out from the crowd.
Wildcatter Johnny Maverick and his pal go to a town in oil country offering $25,000 to the person who brings in the first well. They find oil on the outskirts but have to sell a share to a promoter who hires Johnny's old enemy.
David and his gay friends celebrate his 25th birthday with a nightly swim at the park. The good mood quickly changes after two straight couples walk by and laugh. But was the laughter directed at them, or at something else?
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.
Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.
When 12-year-old Ton transfers to an all-boys boarding school, he's taunted by his peers and terrified by their tales about the ghosts that inhabit the school. Ton is utterly miserable until he befriends a mysterious fellow pupil.
Sherry Graham, a self-destructive makeup saleswoman, hopes a new man and business venture will provide her a fresh start. After her plans are foiled, she takes control of her life in a dramatic turn of events.
At 13 years old and the eldest of three kids, Lane struggles to keep her family together as her iconoclast mother moves without warning through the communes and dusty back woods of Northern California.
Yoav's demons start haunting him after his best friend becomes pregnant, without telling him, and after his boyfriend of 15 years starts talking about children, too. His life unravels, and self-destruction seems inevitable.
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.