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"Lisa" (Rachel McAdams) is chatting away to her fellow passenger on an aircraft when suddenly things all start to take a bit of a menacing turn. It turns out that "Rippner" (Cillian Murphy) needs her to contact the hotel in which she works and get them to move a visiting - and important - family to a new suite. Should she not acquiesce to this perfectly reasonable request, then he has a pal on the ground who is all set to bump off her father "Joe" (Brian Cox). For the first half an hour, this is quite an effective thriller - the dynamic between the two, with her hemmed into her increasingly claustrophobic airline seat, helps build quite a decent sense of peril. Sadly, though, as she begins to fight back the scenario begins to lose it's potency. His complete control of the situation begins to become more and more compromised as serendipity takes just bit too much of an interest in the story for my liking. That's not to say that "Lisa" need be a shrinking violet in the face of her psychological oppressor, it's just that the fightback is all just a bit far-fetched, before a rather messy and unsatisfying ending that you just know is going to happen. Murphy can be quite an edgy character actor - he is an attractive man with a hint of something underhand (I think he'd make a good "Bond" villain) and McAdams is confident and competent - it's just the originality of the story that peters out and becomes predictably mediocre.
Red Eye is a solid thriller that builds tension well, especially in its first act. The slow-paced setup allows for strong character introductions, but it does feel like Rachel McAdams' character should have picked up on Cillian Murphy's unsettling presence sooner. The second act loses some momentum, with certain scenes dragging more than necessary, but Wes Craven's direction keeps the suspense alive. The final act is where the movie really kicks into gear, delivering a satisfying climax. The script does a good job of balancing psychological tension with action, though some moments require a suspension of disbelief—especially regarding in-flight conversations that seemingly go unnoticed by passengers. Cinematography is straightforward but effective, using tight framing to enhance the claustrophobic feel of the setting. Cillian Murphy brings an eerie, controlled intensity, while McAdams carries the film well with a believable performance. The supporting characters don’t add much, and the film occasionally misdirects attention to elements that don’t pay off. The score complements the suspense but isn’t particularly memorable. While not groundbreaking, Red Eye is an entertaining, well-crafted thriller that works best when it leans into its psychological tension rather than its action.
Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers.
Naïve Michael Jordon is drawn into a web of government secrets when a girl carrying a mysterious package gets into a taxi with him. When she's later murdered, Michael becomes the chief suspect and goes on the run.
After being enlisted to recover a dangerous computer program, hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials.
Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.
A young female doctor discovers something sinister going on in her hospital. Relatively healthy patients are having 'complications' during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye.
Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.
In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.
A female executive and a night janitor conspire to commit a daring diamond heist from their mutual employer, The London Diamond Corporation.
China O'Brien; big city police woman; martial arts trainer, is forced to hand in her badge and head home to her father and the small town where she grew up. The peaceful town she knew is now struggling against the clutches of organized crime. When her father, the town sheriff, is killed China decides to run for his position and clean up the town. The poll results spark a series of confrontations that finally decide who runs the town . . .
Held captive for 7 years in an enclosed space, a woman and her young son finally gain their freedom, allowing the boy to experience the outside world for the first time.
When carrying out a hit, assassin Joe always makes use of the knowledge of the local population. On arriving in Bangkok, Joe meets street kid Kong and he becomes his primary aide. But when Kong is nearly killed, he asks Joe to train him up in the deadly arts and unwittingly becomes a target of a band of killers.