No Such Right: The End of Roe in Appalachia

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont. Narrated by Alan Lomax. The Association for Cultural Equity’s Alan Lomax Archive channel on YouTube additionally streams outtakes from this film: other strong performances by Sheila Kay Adams, Dellie Norton, and Cas Wallin, Lawrence Eller, the Hickses, Algia Mae Hinton and John Dee Holeman, Tommy Jarrell, John “Doodle” Thrower, and Nimrod Workman.

Set in the North Carolina Appalachians, Sprout Wings and Fly honors the fiddle playing of 82-year-old Tommy Jarrell of Toast, NC. Tommy was quirky, gregarious and generous, and this film shows him at his best, in fine fiddling form.

Both cautionary tale and rallying cry, Shouting Down Midnight recounts how the Wendy Davis filibuster of 2013 galvanized a new generation of activists and reveals what is at stake for us all in the struggle for reproductive freedom.

In Argentina, a woman dies every week as the result of illegal abortions. In 2018, for the seventh time, a motion supporting legal, secure and free abortion was presented to the national congress of Argentina. The project provoked a fierce debate, revealing a society divided more than ever between the pro-life and freedom to choose positions. Through an assemblage of passionate testimonies, Let It Be Law documents the determination of women fighting bravely to secure the right to physical self-determination, and bears witness to their massive mobilization in the streets of Buenos Aires.

French documentary campaigning for the liberalization of abortion and contraception, directed by Charles Belmont and Marielle Issartel in 1973.

Evangelist hack Ray Comfort addresses seven questions, reasoning with college students and people on the street about whether such objections are justified. Seeing those who are ardently pro-choice change their minds in moments is both compelling and convincing. What reasons would you give for/against abortion?

You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.

Twelve uncomfortable, deeply personal and painful stories by women who have had an abortion are read, told and 'experienced' by six male actors. Does that make a difference? Will the society listen now?