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Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.
Jane Birkin was scheduled to perform at the Olympia in Paris on February 3, 2024. After she passed away on July 16, 2023, her daughters and her friends performed along with her musicians in a tribute concert entitled "Jane Birkin by Friends" for an exceptional performance of "Oh! Pardon tu dormais...", the singer's last concert, on the day that would have been Birkin's concert at the Olympia. Among the performers were Charlotte Gainsbourg, Marion Cotillard, Lou Doillon, Vanessa Paradis and many others. All profits from the concert were donated to French charity Restaurants du Cœur. The concert was later broadcast by Canal+.
ABBA's 1979 tour of North America and Europe, with emphasis on performances at Wembley Arena, London.
Set 1 The Music Never Stopped(Grateful Dead cover) Alabama Getaway(Grateful Dead cover) When I Paint My Masterpiece(Bob Dylan cover) Mr. Charlie(Grateful Dead cover) Tennessee Jed(Grateful Dead cover) Dire Wolf(Grateful Dead cover) Bird Song(Jerry Garcia cover) (>) Big Railroad Blues(Cannon’s Jug Stompers cover) Set 2: Sugaree(Jerry Garcia cover) Estimated Prophet(Grateful Dead cover) (>) Scarlet Begonias(Grateful Dead cover) (>) Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Dark Star(Grateful Dead cover) (verse 1) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (with 'New York State of Mind' tease) (>) Cumberland Blues(Grateful Dead cover) (>) Black Peter(Grateful Dead cover) (>) Casey Jones(Grateful Dead cover) Encore: Black Muddy River(Grateful Dead cover)
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) (>) Loser(Jerry Garcia cover) High Time(Grateful Dead cover) (Oteil vocals) Samson and Delilah([traditional] cover) Althea(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (coda only) (>) Bird Song(Jerry Garcia cover) Set 2: Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Estimated Prophet(Grateful Dead cover) (>) Eyes of the World(Grateful Dead cover) (>) Drums(Grateful Dead cover) (with Oteil on banjo bass and… more ) Space(Grateful Dead cover) (>) Days Between(Grateful Dead cover) (>) Cumberland Blues(Grateful Dead cover) (>) Sugar Magnolia(Grateful Dead cover) Encore: Truckin'(Grateful Dead cover) (>) Brokedown Palace(Grateful Dead cover) (>) Not Fade Away(The Crickets cover) (Reprise from 7/14)
The live version of Jeff Wayne's 1978 bestselling album was brought to the stage in 2006 as part of a sell-out tour of the UK. Filmed at London's Wembley Arena, and using a blend of theatre, music and visual imagery, the production incorporates performers from the original recording, including Justin Hayward, Chris Thompson and Wayne himself. There's also audio and visual elements featuring Richard Burton, as well as the ten-piece Black Smoke Band and the 48-piece Ulladubulla Strings.
The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.
