Please Don't Go Looking

A lonely telephone operator leading an empty, amoral life finds God – only to have her faith continually tested in ways beyond what she could have imagined.

Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Teenage London is trying to find meaning in the world, or a leather jacket of her own. Unaccepted by neither the Mods or the Asian biker gang, she tries to find her own path. Meanwhile, the two gangs maintain a mutual vendetta sure to erupt in a smorgasbord of violence.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

After he refuses to disavow his faith, a devout Christian student must prove the existence of God or else his college philosophy professor will fail him.

Ava Moriarty, Art History PhD dropout-turned-dominatrix, wants OUT. But there's no safeword for golden handcuffs. When her mobster ex gives her 30 days to repay a massive loan, she's forced to agree to one last job-seducing and extorting "Father Dracula," a small town Episcopal priest. But Father Radovan Markovic brought his own secrets from Serbia, and moonlights as an MMA fighter while unwittingly hiding the world's greatest lost painting. Not to mention he's the one hot guy avoiding Ava like loose glitter. Certain he's embezzling a priceless art collection, will she win his heart only to destroy his life, or doom herself to a custom pair of concrete stilettos?

When two lovers are split by a supernatural encounter, they explore the darker side of relationships.

In old New South Wales a new bunch of convicts arrives including the little convict, young Toby Nelson. Consigned to a Government farm they are subjected to the cruelty of Sergeant Billy Langdon and Corporal Weazel Wesley. Toby escapes and flees into the Australian bush where he is saved from death by the aboriginal boy, Wahroonga. Together, with another escapee, the highwayman, Jack Doolan, and Wahroonga’s animal friends, they launch a spectacular mission to rescue the blacksmith, Big George, and Toby’s sister, Polly.

Steve Moore is sixteen and lives with his younger sister, mother Cheryl and her boyfriend John, in a modest house in Bakersfield, California. An abusive and often intoxicated man, John rules the household, and though his attacks on Steve result in emergency hospital visits, Cheryl's loyalty is to her boyfriend. To protect her relationship with John, she "ditches" her son, having him arrested and locked in a correctional "mental" facility, before coercing her older brother Burt, who lives in Hollywood, to take him. Steve quickly discovers that Burt cannot even provide temporary lodging, but an administrator at his new high school directs him to a shelter for runaway kids where he soon learns to navigate his way.

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.