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Doch eines ist sicher, alle die sich auf das koreanische Kino einlassen können werden bei „Memories of a Murder“ mit einem Film belohnt, der nachwirkt, der nach dem Abspann nicht nur ein weiterer gesehener Film ist. Man liest es vielleicht aus dieser Rezension raus, dass „Memories of a Murder“ überzeugen konnte und genau deswegen sollte auch klar sein, was Ihr nun tun solltet. Genau! Schaut Euch „Memories of a Murder“ an. Überzeugt Euch selbst davon, wie vielschichtig und spannend dieser Film ist. Fiebert selbst mit den Ermittlern mit und rätselt wer die Taten begangen hat. „Memories of a Murder“ ist sicher kein einfacher Film und auch kein „Feel Good“-Film, aber ein mehr als sehenswerter Film. [Sneakfilm.de]
This is cracking serial killer drama from Bong Joon Ho - with some superb performances - that tracks a police investigation trying almost every technique known to man to trace a rapist/murderer who is terrorising young women (especially if it is raining and if they are wearing red). Kang-ho Song, Sang-kyung Kim and Roe-ha Kim don't exactly see eye to eye as they set about their task, adopting some scientific and not-so scientific approaches to their detection. The stylish and witty writing allows the characters to develop at a slow, but steady and interesting pace - using humour, pathos and violence - and at times it is the methods and attitudes of the police that appear under more scrutiny than the perpetrator of the crimes! Sadly, though, it does sag towards the end. The sharp pace of the writing and the intensity of the performances having reached a pretty high plateau, comes off the boil a bit and I found the ending annoyingly self-defeating: the identity of the criminal being less important to me than the collapsing integrity of those charged with his discovery. We never quite get back to that high standard of storytelling achieved in the first 90 minutes and as the quirkiness of the plot becomes more subsumed into the increasing frustrations of the investigators, the film becomes more and more a generic crime thriller losing much of its uniqueness. Certainly well worth watching, but perhaps it could have been shaved a bit to maintain the jeopardy.
The true story of an operation which was a revolution, not only for the world of medicine. Frankfurt 1967. A young doctor called Lisa Scheel is trying to get a foothold in the male-dominated world of transplant surgery. But after she is passed over by her main professor in favour of a male applicant, on the spur of the moment Lisa heads off to Cape Town. Here, she starts work for Dr. Barnaard, who, like his colleagues in Frankfurt, is planning a heart transplantation. Together with the surgeon Hamilton Naki, who due to apartheid can only join the team secretly, Lisa is a major contributor to the first heart transplant in history.
Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.
In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn into the occult world.
How does retired cop Joshua Burke (James Earl Jones) get two career criminals, Manny Durrell (Sidney Poitier) and Dave Anderson (Bill Cosby), to follow the straight and narrow? Con them into helping juvenile delinquents turn over a new leaf. But how? Burke has never been able to nail the duo, but he uses what he knows of their seedy past to blackmail them into volunteering.
Bruiser is the story of a man who has always tried to fit in. He keeps his mouth shut, follows the rules, and does what he's supposed to do. But one morning, he wakes up to find his face is gone. All the years of acquiescence have cost him the one thing he can't replace: his identity. Now he's a blank, outside as well as in, an anonymous, featureless phantom. Bent on exacting revenge, he explodes. He isn't going to follow the rules anymore.
Angela Russo, a sixteen-year-old girl, is found dead in a river, having been fatally violated with a large blunt instrument. Inspector Di Salvo is assigned to the case and focuses his investigations on St. Theresa's, the exclusive school where Angela boarded. Three of the murdered girl's classmates, Franca, Paola and Virginia (who call themselves "The Inseparables"), receive threatening poems from an individual using the name "Nemesis." Bizarre "accidents" start to befall the girls: Franca is injured when someone causes her horse to bolt and Virginia nearly breaks her neck on marbles left at the top of a staircase. But Di Salvo is determined to find the killer, even if it means using unorthodox methods. He is aided by Angela Russo's little sister Emily, whose helpful clues lead to a boutique owned by a dubious character and a vice ring where "rich influential men pay well for teenage favours..."
In 2002, cable news producer Kim Barker decides to shake up her routine by taking a daring new assignment in Kabul, Afghanistan. Dislodged from her comfortable American lifestyle, Barker finds herself in the middle of an out-of-control war zone. Luckily, she meets Tanya Vanderpoel, a fellow journalist who takes the shell-shocked reporter under her wing. Amid the militants, warlords and nighttime partying, Barker discovers the key to becoming a successful correspondent.
This biopic follows pro golfer Ariya Jutanugarn's journey to the LPGA tour, from child prodigy to her number-one ranking in the world.
Mary loves John, but she was forced to marry a wealthy man instead. A meeting with her lover has fatal consequences.
Howard is mild-mannered and slightly simple-minded, with a habit of picking up teenage hitchhikers while driving his delivery routes. Sometimes the girls admit to being runaways, and if they claim to hate their mothers it drives Howard into a violent frenzy; his sister ran away from home years ago and was never heard from again, causing his desperate, addled mother to tighten her hold on him. Howard never remembers raping his victims or strangling them with wire coat hangers, though his boss does notice missed deliveries and late arrivals.