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Academy Award winning film maker Hilary Harris’ epic vision of New York City shot over 15 years [1959-74] during which time Mr. Harris pioneered and contemporized time-lapse film making techniques to achieve this unique experiential view of the world we inhabit: chaos and confusion seem to multiply in every corner of the Big Apple. Yet there seems to be some order in all that chaotic and relentless system and things seem to work just fine. The same can be said about the human body. Director Hilary Harris proves with this short documentary that cities and organisms are all-alike.

This documentary shows the construction of a high-altitude dam by the Sabbioni Glacier, and the daily struggles of the workers, now anxious for the outbreak of a mine, now silent for the nostalgia of the distant family.

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

A unique insight into Hall of Fame pitcher Tom Seaver - a reclusive icon and his relationship with New York City.

A group of Macedonian women are shown hard at work.

Nestled between the Adirondacks and the Catskills in central New York State, the pastoral village of Cooperstown has a mighty mission: to preserve and protect the story of America’s Game at the National Baseball Hall of Fame and Museum. Baseball has been America’s national pastime for nearly 150 years. Founded in 1939, today’s museum preserves history, honors excellence and connects generations through the story of baseball and America, featuring more than 35,000 artifacts, two million documents, 500,000 historic photographs, and 10,000 hours of original TV and radio recordings. The adjoining Hall of Fame contains the plaques of more than 275 of baseball’s immortals, including the first five men elected in 1936 – Babe Ruth, Christy Mathewson, Honus Wagner, Ty Cobb, and Walter Johnson.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Some game trolls in the United States make a sport of getting other players “swatted” live during the game: they find out someone’s name and address, fake his caller ID, and make a bogus 911 call. The next thing you know, a SWAT team armed to the teeth is bursting into his house and giving him the fright of his life. This is all streamed live on camera, of course, so everyone can be in on the joke. Swatted is a cinematic exploration of this phenomenon based on 911 calls by offenders, YouTube videos of games and raids, and first-hand accounts of what it’s like to be swatted.