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After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
Baddies Midwest and Baddies Gone Wild Auditions - (Feb 26th)
The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
Married at First Sight - (Feb 26th)
Hard Quiz - (Feb 26th)
Australian Survivor - (Feb 26th)
Watch What Happens Live with Andy Cohen - (Feb 26th)
Hunting History with Steven Rinella - (Feb 26th)
Deal or No Deal Island - (Feb 26th)
Big Miracles - (Feb 26th)
Tribunal Justice - (Feb 26th)
Two Ways With Erica Mena - (Feb 26th)
Help Im in a Secret Relationship - (Feb 26th)
Love and Hip Hop Atlanta - (Feb 26th)
Highway Thru Hell - (Feb 26th)
Rocky Mountain Wreckers - (Feb 26th)
Gangland Chronicles - (Oct 1st)
**Better than the tedious Superman Returns/Man Of Steel** Bad effects aside, this one is definitely more fun than the _tedious and dull_ Superman Returns and Man Of Steel stuff - an overload of special effects does not make an engaging film. The performances here are all top notch as usual and the plot moved swiftly without taking itself too seriously. The franchise has always been silly - stupid even - especially when we remember that _Richard Donner's Superman had Ned Beatty as the moronic Otis._ The silliness has always been integral to the Superman series.
Filled with cheap gags, really horrible visual effects, a lazy story, a very bad musical score by Alexander Courage, a terrible villain (Nuclear Man), and some tiresome performances by the cast (except for Christopher Reeve), Superman IV: The Quest For Peace is one of the worst films ever made, the one of the worst movie sequels of all time, and the worst Superman film of all time. It is the kryptonite nail in the coffin for the Superman films, and none of the films after this even tried to save the Man Of Steel from his own detriment.
_**The least of the tetralogy due to a slashed budget and the corresponding cheesy F/X**_ Superman (Christopher Reeve) destroys all nuclear warheads on Earth for the sake of world peace, but Lex Luthor (Gene Hackman) has discovered a way to make a nuclear-powered thrall from Supes’ DNA and the energy of the Sun. Meanwhile a tycoon & his daughter take over The Daily Planet (Sam Wanamaker & and Mariel Hemingway). “Superman IV: The Quest for Peace” (1987) is the weakest of the quadrilogy because the Salkind family sold the franchise to a Grade B production company, Cannon, and so instead of the healthy $39 million budget of “Superman III” (1983) it was slashed to $17 million (although it was originally supposed to be $36 million), which is apparent in the low-rent opening credits and the non-special effects throughout. Other than that glaring flaw, the main cast returns and the story is decent, augmented by the kick-axx Nuclear Man (Mark Pillow) and the continuation of Clark’s relationship with Lois (Margot Kidder). The first two movies are standout sci-fi motion pictures, despite hailing from the late ’70s, and the third one has worthy themes if you can adjust to the parody tone and cartoonish presence of Richard Pryor (at least his character has a worthy story arc). This one, by contrast, is disappointing due to the second rate vibe. While there are some entertaining elements, the drop in quality is just too noticeable. The film runs 1 hour, 30 minutes, and was shot entirely in England with establishing shots of New York City, The Golden Gate Bridge, The Great Wall of China, etc. GRADE: C
'Superman IV: The Quest for Peace' isn't one I'll be filing anywhere near 'good', though it is at least a minimal improvement on III and 'Supergirl'. It has a pleasantly short run time of just under 90 minutes and features a plot that I didn't find totally terrible. Christopher Reeve stars as Superman for the final time, to as decent effect as you'd expect. Gene Hackman makes a return as Lex Luthor, to my support - I think he's the one I'll remember most from these films, aside from the main guy obviously. It's not Hackman on top form, but still solid enough. Overall though, I didn't get the required entertainment. I do think it starts better than it finishes, the end noticeably drags. One big reason for that is the Nuclear Man character. Any time he appears, I was uninterested. The 'switching' in front of Lois Lane is also extremely repetitive by this point. A blessing for all involved that this era of Superman concluded here. Now to see what they did for 2006's 'Superman Returns', a movie I'm a little surprised didn't cross my path as a kid to be honest; as the Spiderman flicks from those years did. Maybe I'll find out why!
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.
David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
Vietnam vet Frank Vega now runs an East L.A. community center where he trains young boxers to survive in and out of the ring. But when his prize student falls in with the wrong crowd and turns up dead, Frank teams up with his pal Bernie to take matters into their own fists and prove that justice never gets old.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
When a huge alien probe enters the galaxy and begins to vaporize Earth's oceans, Kirk and his crew must travel back in time in order to bring back whales and save the planet.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Set during the Cold War, the Soviets—led by sword-wielding Irina Spalko—are in search of a crystal skull which has supernatural powers related to a mystical Lost City of Gold. Indy is coerced to head to Peru at the behest of a young man whose friend—and Indy's colleague—Professor Oxley has been captured for his knowledge of the skull's whereabouts.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.