Island Memories

The 14th of June 1941, Soviet-occupied Latvia: Without warning, the authorities break into the house of Melanie and her husband Aleksandr and force them to leave everything behind. Together with more than 15 000 Latvians, Melanie and her son get deported to Siberia. In her fight against cold, famine and cruelty, she only gains new strength through the letters she writes to Aleksandr, full of hope for a free Latvia and a better tomorrow.

In 1930s Italy, a wealthy Jewish family tries to maintain their privileged lifestyle, hosting friends for tennis and parties at their villa. As anti-Semitism intensifies under Fascism, they must ultimately face the horrors of the Holocaust.

This docucumentary by John Brett conveys the impressions of cultural loss felt by an elderly Acadian man living on the south shore of Nova Scotia after his homestead has been deserted.

Filmed 2 years before his death, this documentary portrays New Brunswick folk artist Joseph Sleep (1913-1978) in his later life. He was born at sea and worked with and around boats, fish, carnivals, and animals most of his life. While convalescing during an extended period in the Halifax infirmary in 1973, he was encouraged to paint. What began is therapy and a pastime developed into a way of representing a lifetime of images and experience

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

An hour-long portrait of Canadian immigration lawyer, M. Lee Cohen, renowned for his work with refugees. The film follows his representation of Sonya Pecelj and Vladimir Zalipyatskikh. The first case follows a young woman, Sonya Pecelj from Kosovo, who seeks sanctuary for more than a year in a church; the second case follows a Russian sailor who dives off a ship in Halifax Harbour to escape virtual imprisonment by the Russian fish mafia.

Academy Award®-winning filmmaker Errol Morris confronts one of the darkest chapters in recent American history: family separations. Based on NBC News Political and National Correspondent Jacob Soboroff’s book, Separated: Inside an American Tragedy, Morris merges bombshell interviews with government officials and artful narrative vignettes tracing one migrant family’s plight. Together they show that the cruelty at the heart of this policy was its very purpose. Against this backdrop, audiences can begin to absorb the U.S. government’s role in developing and implementing policies that have kept over 1300 children without confirmed reunifications years later, according to the Department of Homeland Security.

In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.

Documentary about a "transportation commando" in Germany with the goal to deport 200 people to Albania...

This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France is sent back to the place where she was raised – Senegal. She returns to the lost village of her ancestors hysterical, argumentative and unproductively rebellious. Now the mother of a toddler, she continues to come to terms with the two cultures; the outcome is unforeseeable, as is the outcome of this cinematic long-term observation. The risk of its failure due to its protagonist is palpable. But Koumba’s fascinating metamorphosis is also obvious, her body and character have taken on a more harmonious nature. All hope is not lost.

David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.