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What do you call an action comedy with no cool action and no funny comedy? The Hard Way.
Will you open up? I just want to know what it feels like to be inside your skin. The Hard Way is directed by John Badham and collectively written by Lem Dobbs, Michael Kozoll and Daniel Pyne. It stars James Woods, Michael J. Fox, Stephen Lang, Annabella Sciorra, Luis Guzman, LL Cool J and Delroy Lindo. Music is by Arthur B. Rubinstein and cinematography is by Don McAlpine and Robert Primes. An action movie star researching a role is allowed to tag along with a hardboiled New York City policeman, who is less than enamoured with his company as he looks to stop the serial killer known as "The Party Crasher". Given John Badham's CV, The Hard Way looked to be right up his street, his career containing solid if unspectacular buddy buddy action comedy pictures. This is just above average thanks to the Woods and Fox pairing and some nifty dialogue one liners. The concept of a Hollywood star tagging along with a grizzled real copper is smart, but the pic ends up over stuffed, even if the action and comedy - courtesy of some high energy set-pieces - rewards enough to stop tedium setting in. Lang's maniacal villain is over the top, though he seems to be enjoying himself, while such is the brisk pace for the most part, when it sags into its quieter periods it strains the patience - the blend uneasy. Yet the finale rewards on basic action terms, with suspense intact, to ultimately give us a just above average pic of its type. 6/10
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
When Hollywood superstar George Reeves dies in his home, private detective Louis Simo is hired to investigate his death and gets caught in a web of lies involving a big studio executive's wife.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
Scotland Yard investigators have to prevent the murder of Victoria Dickman when her name is found on a death list.
For this second film in the cult comedy series Torrente takes our fat police officer from Madrid to Marbella in Spain to investigate a villain’s plot to destroy the city with a missile. This James Bond style slapstick comedy became the most successful box-office film in Spanish film history beating out only the first Torrente film.
A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation's top executives decide to hire the most incompetent detective they can find to act as her bodyguard.
A small-time hood must choose from among love, friendship and the chance to rise within the mob.