Aniceto, razón de Estado

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Laosan, a young family man, spends all his time smoking opium. For his community, lost in the heart of the Laotian jungle, opium farming is the only way to survive. But opium is also the poison that puts men to sleep and kills their desires.

On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

In Nevada’s remote Thacker Pass, a fight for our future is playing out between local Indigenous tribes and powerful state and corporate entities hellbent on mining the lithium beneath their land. Vancouver-based Lithium Americas is developing a massive lithium mine at Thacker Pass, but for more than two years several local tribes and environmental organizations have tried to block or delay the mine in the courts and through direct action.

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues

In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.

In a year of uprisings and political unrest, Stonebreakers documents the fights around monuments in the United States and explores the shifting landscapes of the nation's historical memory.

EUROPA – The Last Battle is a multiple episode historical documentary which begins by showing the unseen side of World War I, and World War II, going through modern history until it reaches the current day. This documentary gives an overview of how Europe has been shaped in modern history. In it, you will find the secret history, where you will find the real causes of the events. Watch this documentary and uncover the real root causes of World War II. It will take you on an epic timeline that will transport you back in time and lead you on the journey through the Bolshevik Revolution, the communist attempts to take over Germany; hyperinflation during the Weimar Republic, widespread unemployment and misery, Adolf Hitler’s rise to power, World War I & II – all the way to the modern world. It presents the true historical events that lead to this world catastrophe known as the second world war, as well as the aftermath.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.