Die Fledermaus

A female cat wants to board a French cruise ship. Prior to the ship's departure, she crawls under a freshly-painted gate and gets a white streak atop her back and tail. Enter enamored Pepé Le Pew.

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his profound love for Shakespeare's work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconi's production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdi's score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdi's great "chorus opera.

Sylvester Cat scoffs at his son's idea that a pipe like that of The Pied Piper of Hamelin could lure mice into their home to catch. But when Junior tries it and Hippety Hopper, the baby kangaroo, comes along, Sylvester believes in the power of the pipe and that Hippety is a giant mouse.

It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans-between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Longtime school sweethearts discover married life, thanks to a disagreeable live-in mother-in-law and pressing business obligations, is more rocky than idyllic.

Moments before the curtains rise on their high school’s production of Julius Caesar, Rob (Brutus) accidentally stabs Wyatt (Caesar) backstage. Rob and his best friend Craig (Cassius) must then try to get Wyatt ready for the show, or -if things don’t work out- hide the body and find a replacement. Before the night is over, they’ll have to deal with a lovesick Casca, a sledgehammer-wielding Antony, and a stray Nick Bottom who has been kidnapped from the rival high school’s Midsummer. The filmed version of the Shakespeare in the Dark production of “Et Tu, Rob?” combines the best elements of live theatre, film, and streaming to bring the "cultural" "phenomenon" to homes around the world for a thrilling, once-in-a-lifetime experience.