FLES

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

Best friends Majolie and Chouchou are two beautiful young women trying to get ahead in a near-future Cameroon. After accidentally killing a powerful politician during sex, the two come up with a plot to dispose of the body, and get into the glamorous wakes that have taken over the local nightlife.

It follows Samantha Heather Mackey. She receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door and ditching her friend, Ava, in the process. Based on the novel by Mona Awad.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...

Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

In 1920, a young African-American woman sets off to Africa to find a tree that promises eternal life.

A meditation on isolation through paint textures, video collage and sound

L'amour (love). La mort (death). Two French words that could confuse a foreigner, but never a native. Messenger V writes for a company that sends out both love letters and death sentences. After going into work one day, she finds out her assigned recipient is her lover.