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Sioux Convention. Directed by Lloyd Bacon and collectively written by Melvin Levy, J. Robert Bren and Gladys Atwater. Starring Jeff Chandler, Faith Domergue, Lyle Bettger, Peter Whitney and Stacy Harris. The grand title sadly doesn't match what is actually put on screen, since Bacon's film is more a thinker than a thugger. Plot has Chandler as an ex-Union surgeon who takes up with ranchers and Indians in fighting the good cause against Bettger's horse baron and nefarious rebel rousers. Undeniably the intentions and thought as per the screenplay are honourable, the anti-racist currents coupled with thematics involving the false deals laid at the Native American's doors, these are interestingly played and keep the pic from sinking below an average level. Action is in short supply, but there are moments of muscular brawn and bravado, while the Oregon locations and Technicolor photography (Maury Gertsman) provide pleasing surroundings. Chandler and Bettger get roles for which they were known and suited, but Domergue - radiant in that "just made love" look she had - just ends up as more token interest than the feisty intelligent business woman that the story threatens to unleash. Whitney and Harris deliver good foil as stoic friend and unscrupulous fiend respectively. While John War Eagle and Glenn Strange offer up a firm backbone in the secondary support slots. The story and ideas have been done far better in far more well known Westerns, thus rendering this as hardly essential. But some merit exists and for Chandler and Bettger fans it's a decent time waster. 6/10
Rafe Covington is as good as his word, and he's determined to keep his promise to a dying man that he'll look after the man's widow and Wyoming ranch. But the widow doubts the integrity of drifter Covington. And an unscrupulous land grabber and his gunmen are sizing up the ranch the way a spider eyes a fly.
A Wild West retelling of Dickens' 'A Christmas Carol," with Scrooge as a land baron, gunfighter, and card cheat who is visited by three spirits who attempt to teach him the true meaning of Christmas.
Phoebe Titus is a tough, swaggering pioneer woman, but her ways become decidedly more feminine when she falls for California bound Peter Muncie. But Peter won't be distracted from his journey and Phoebe is left alone and plenty busy with villains Jefferson Carteret and Lazarus Ward plotting at every turn to destroy her freighting company. She has not seen the last of Peter, however.
Legendary Lawman and Gunslinger Wild Bill Hickok, is tasked with taming the wildest cow-town in the West, while delivering his own brand of frontier Justice and infamous gunfighter's reputation as the fastest draw in the West is put to the test
The Cisco Kid and Pancho set off to find the missing owner of a devoted little dog in this western adventure. From the vanished man's sister, the heroes learn that her brother disappeared soon after striking a major gold vein in his mine. In the end Cisco accosts the villain, saves the kidnapped miner and reunites him with his dog.
Back Trail is one of the livelier entries in Monogram's Johnny Mack Brown western series. Brown rides into a small town where he becomes embroiled in a blackmail scheme. The town's banker (Ted Adams), a pillar of respectability, once served a jail term. Outlaw leader Pierce Lyden threatens to reveal Adams' secret if the banker doesn't let him know in advance when the gold shipments are going through. Adams tearfully tells Brown the whole story, whereupon Johnny rides shotgun on the next shipment himself. Back Trail was one of the last films directed by workhorse Christy Cabanne, whose career stretched all the way back to the D.W. Griffith days.
A Pony Express rider discovers some mysterious goings-on during the construction of a telegraph line. When a murder is committed, he is blamed for it.
A band of renegade Apaches attempts to steal a shipment of rifles being transported to Fort Collins.
An auto dealer arrives in a western town, at about the same time as a band of heavily-armed desperadoes.
Following a killing and robbery in a big city back east, gang leader Kedge Darvas and some of his henchies take a train to a small western town in Idaho, with intentions of hiding out there until things cool down back in Chi or NYC, or wherever they lammed from.They are welcomed with open arms by the citizens under the impression they are there as capital investors with money to spend. Before long, Darvas figures the town is ripe for the taking and sends word for reinforcements, and each arriving train unloads a few suits and snappy-brim hats.Then they get rough, kill Sheriff Posey Meed and rile up the citizens, led by cowhand Brad Farley, who had Darvas spotted for a wrong number just by the way he made moves on Sue Vancey.
Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.