Father Was a Peculiar Man

While rehearsing on stage, a mime notices that he can create objects from his past and is therefore confronted with a long-repressed memory.

During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.

A humble Romanian actor in his 40's, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.

2006 Takarazuka Revue Flower Troupe production of Maury Yeston and Arthur Kopit's "Phantom."

Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.

A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

An ambitious understudy’s respect grows to obsession.

When the opening night of a new play goes horribly awry, the actors are forced to frantically improvise the plot onstage. Clashing egos, tested friendships and a series of disastrous misunderstandings combine to create the most offensive, shocking and accidental piece of theater ever to debut in front of a live audience.

It all begins in an empty theatre. In search of a manuscript that is supposed to change the world, Ben embarks on an odyssey. He encounters a flying fish, a telephone without a dial, an oracle called Enigma and a mystical canine figure in a deserted mountain landscape – reality and longings become inextricably intertwined on his visually stunning journey.

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.